“‘DEAR MRS. GLADWELL,--I had the pleasure of seeing Charles a
little while ago, who told me that you were quite well and looked
very happy, which I was exceedingly glad to hear. He says you are
grown a prodigious buck in your dress, that you have got quite a
youthful bloom on your cheeks, and are the picture of health and
content. I am sure you deserve to be so to compensate for the many
years of misery which you drudged on in those horrid rooms in Pall
Mall; and if you feel like me, you will never wish to see them or
anything else in that _cursed_ town of London as long as you live.
I heard from Di lately. She had been at Lady Grandison’s and seen
Nurse Porter, who, she says, has not a wish ungratified but of
seeing Betty Love, whom she quite raves about.
“‘Di is to return to Lord Grandison’s at Christmas, where she is to
meet all the best company from Dublin, and to live in a continual
train of amusement. She is so popular in Kerry that when she goes
to a play that is acted by strolling players at Tralee, the whole
house rings with applause at her entrance, and she is obliged to
curtsey her thanks like a queen. Remember me to Molly Thomas, and
believe me, your sincere friend,
“‘C. SACKVILLE.’
“The woman in the mulberry-coloured dress closes the letter. It has
set in movement before her inward eye a train of images, pictures of
past years.
“She sees a child of four years old running to meet her. The hair
curls abundantly, the cheeks are delicately pink, the curved lips
smiling. In both hands she brings treasures--bright spindle berries
heaped together, crimson and orange, in her little hands.
“And the woman hears her glad voice calling: ‘Look, Ellen! corals
like Di’s necklace! corals growing on trees!’
* * * * *
“The memory passes, and she sees another scene. The room is darkened;
she is sitting by a bed. A child lies on it, tossing restlessly, and
all the pretty hair has been cut off. She hears a fretful voice say
repeatedly, ‘Sing, Ellen; Ellen, sing.’ And softly, over and over
again until weary, she hears herself singing an old ballad to the
child:--
“‘London Bridge is broken down,
_Dance over my lady lea_;
London Bridge is broken down
_With a gay lady_.
How shall we build it up again?
_Dance over my lady lea_;
How shall we build it up again?
_With a gay lady_.
Wood and clay will wash away,
_Dance over my lady lea_;
Wood and clay will wash away
_With a gay lady_.
Silver and gold will be stolen away,
_Dance over my lady lea_;
Silver and gold will be stolen away
_With a gay lady_.
Public-domain text, read in full here on John Shaqi.
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