The Children of the PoorRiis, Jacob A. (Jacob August)
History
The Children of the Poor
Riis, Jacob A. (Jacob August)
Child welfare -- New York (State) -- New York; Poor; Poor -- New York (State) -- New York
The crippled boys' brush shop is a feature of the lodging-house in East
Forty-fourth Street. It is the _bête noire_ of the Society, partly on
account of the difficulty of making it go without too great an outlay,
partly on account of the boys themselves. They are of all the city's
outcasts the most unfortunate and the hardest to manage. Their misfortune
has soured their temper, and as a rule they are troublesome and
headstrong. No wonder. There seems to be no room for a poor crippled lad
in New York. There are plenty of institutions that are after the well and
able-bodied, but for the cripples the only chance is to shrivel and die in
the Randall's Island Asylum. No one wants them. The brush shop pays them
wages that enables them to make their way, and the boys turn out enough
brushes, if a market could only be found for them. It is a curious and
saddening fact that the competition that robs it of its market comes from
the prisons, to block the doors of which the Society expends all its
energies--the prisons of other States than our own at that. The managers
have a good word to say for the trades unions, which have been very kind
to them, they say, in this matter of brushes, trying to help the boys, but
without much success. The shop is able to employ only a small fraction of
the number it might benefit, were it able to dispose of its wares readily.
Despite their misfortunes the cripples manage to pick up and enjoy the
good things they find in their path as they hobble through life. Last year
they challenged the other crippled boys in the hospital on Randall's
Island to a champion game of base-ball, and beat them on their crutches
with a score of 42 to 31. The game was played on the hospital lawn, before
an enthusiastic crowd of wrecks, young and old, and must have been a sight
to see.
Public-domain text, read in full here on John Shaqi.
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