When they had sat together for some time, Edwin went to his pupil.
Hitherto he had always felt a sense of comfort in the little house on
the lagune. His passionate restlessness passed away, the young girl's
great calm eyes, which rested so eagerly on his lips, had driven away
all melancholy, so that he grew eloquent and cheerful, and unfolded to
her the ancient sages' world of thought until long after the hour
devoted to the lesson had expired. But to-day, for the first time, this
beneficent spell failed. He was forced to plead illness and depart
before the lesson was over, to Leah's evident regret.
The next day was "his day," but his impatience drove him to the house
in Jägerstrasse early in the morning. He started, when he saw the
landlady's broad face look peevishly out of one of the windows in the
second story. He darted breathlessly up stairs and pulled the bell. His
suspicion was confirmed. No striped waistcoat appeared, the shining
glass eyes of the solemn boy did not welcome him. Instead, the landlady
herself, without looking at him, sulkily opened the door.
"Whom do you want?" she grumbled. "Fräulein Toinette Marchand? I'm
sorry. She has moved. Ah! so it's _you_? That alters the case. What do
you say to it? You must know more than any of the rest of us, who were
not thought good enough for the least explanation--Or do you bring some
order? Pray walk in. I can make myself entirely at home here once
more."
She allowed Edwin to enter and then followed him into the familiar red
drawing room. Everything was unchanged: the flowers was there, the
parrot was on the perch, only the bird cage stood open and empty, and
the bronze clock on the marble mantel piece no longer ticked.
Public-domain text, read in full here on John Shaqi.
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