The three were now once more together in the very room where, a few
hours before they had chatted so comfortably around the tea table. But
no one broke the silence. The artist had seated himself opposite to the
bust of his dead wife, and seemed to be questioning the mute features
about the eternal secret of life and death. Mohr, with his hands
crossed behind his back, paced restlessly up and down the room like a
caged lion, pausing at every dozen steps as if to listen. Leah sat at
the window, gazing out into the storm. She did not move a limb, her
eyes were closed, but not for a single second did she lose her
consciousness of what was passing around her. The cause of this
paralysis was neither bodily exhaustion nor the stupor that often
follows great excitement. When she removed the clothing from the
stranger's motionless body to wrap it in blankets, she had found under
the wet corsets a small, leather case, fastened with a red ribbon.
Thinking it might contain a letter which would give some cause for her
mad act, or a card with her name, which Mohr had not thought to tell
them, she opened it, unnoticed by the others. It contained neither
letter nor card, but a photograph stained, to be sure, by the water,
but in which she nevertheless recognized at the first glance--Edwin. We
need add nothing farther to explain why she sat so absently at the
window hour after hour.
At last--it was probably about four o'clock in the morning--they heard
the door on the opposite side of the entry open, and directly after
Marquard entered.
"Good morning," he said dryly. "We've won the victory and driven the
enemy from all his positions. My adjutant, your excellent old servant,
Herr König, has orders to pursue him and clear the battle field of all
marauders. I'm going home to get a few hours sleep, and I shall then
have the honor of seeing you again."
He bowed carelessly and left the room. As he was groping in the dark
passage to find the door, he suddenly felt himself seized from behind
and clasped in two trembling arms. Mohr lay sobbing on his neck.
CHAPTER XI.
Public-domain text, read in full here on John Shaqi.
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