"Unfortunately, my friend, I'm much more kind-hearted than you suppose.
The first time he returned after this, as I thought, final dismissal,
you could not have helped laughing yourself at the penitent manner, in
which he sneaked into the room after little Jean. I received him only
on the condition that not a word should be said about admiration, love,
or marriage. As for the rest why should I, a ci-devant duchess, deny
myself so cheap a pleasure as keeping a count for my court fool? I was
so lonely, so out of spirits. And as I said before, you can't imagine
anything more comical than his face and manner. He actually has no face
at all; when he's not here, it's impossible to remember how he really
looks, his countenance is exactly like those on the tailor's fashion
plates, his nose straight up and down, his month straight across, and
his whiskers just such as grow on the faces of I don't know how many
young noblemen. But now imagine this commonplace physiognomy beautified
by perpetual lines of grief, or rather by the attempt to look utterly
miserable, and you must perceive that there could be no more amusing
contrast. I abuse him as much as I can, say the most impertinent
things, refuse to even allow him to kiss the tip of my slipper, but
have never succeeded in rousing him from his devout submission and
adoration, I shouldn't be the daughter of a poor ballet-dancer and a
vain, idle, tolerably desperate creature, if such an aristocratic slave
didn't divert me."
"And how long do you propose to continue this delightful game?" asked
Edwin, in a somewhat irritated tone.
Instead of answering, Toinette opened a box and took out several large
photographs. "These are views of his castle," said she. "Here, as it
appears on the heights above the forests; here's the courtyard, with
the carriage waiting and the young count's saddle-horse standing close
by--I call him young, although one never thinks of his age, for can a
man who never really experiences anything grow old?--And here are three
views of the interior: the dining-hall, the conservatory, and the
boudoir for the young countess. It can't be denied that he, or at least
his upholsterer, has good taste, but the master of the house is an
unwelcome addition to all this magnificence. I told him so to his face.
His only answer was a sigh."
"And how long is this proceeding to continue?" Edwin repeated.
Toinette threw the photographs back into the box and rose from the
sofa. "You jealous friend; why should you desire to disgust me with
this innocent pleasure in the evening of my life. Haven't you looked
into my strong box? I do not wish to spend my days in gloom before the
last thaler is exhausted."
"And then?"
"Then? I thought we had agreed that we are superfluous in the world,
when we can no longer be useful nor give pleasure to ourselves or
others."
"And have you already gone so far?"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account