"We'll wait till he does, and if necessary use our right to close our
doors. He has left us his card: 'Unter den Linden, No. 10.' Of course
in the most fashionable locality. The children of God, who neither sow
nor reap, since their Heavenly Father feeds them, can afford themselves
every luxury, while we children of the world--but you're right,
Reginchen, the dinner will get cold. Come, child, let me pour you out a
glass of wine. I'll take water myself, to cool my indignation over the
false prophet."
CHAPTER XIV.
Meantime Lorinser had only crept down one flight of stairs and stopped
before the door on the second story. He read the name on the small
sign, listened a few minutes, and then gently pulled the bell.
Christiane opened the door and gazed in surprise at the stranger, whom
she had just seen with Edwin. His penetrating gaze rested on her a
moment, then he raised his eyes toward the ceiling of the entry, as if
solely interested in the spiders' webs.
"Fräulein Christiane Falk?" said he.
She made an almost imperceptible bow. "What do you want, sir?"
"Will you allow me to come in a moment, the errand that brings me to
you can hardly be discussed here--"
She drew back a step from the threshold to admit him. In an instant he
had crossed the ante-room and entered the half sitting room half
bedroom, to which we were introduced the night that this story opened.
Its appearance in the broad daylight was not much more cheerful, than
by the feeble rays of the little lamp. The walls were hung with faded
tapestry, but destitute of pictures. The floor was uncarpeted, there
were no flowers, none of the hundred trifles with which lonely women
adorn their rooms and endeavor to supply the lack of human
companionship; nothing but a quantity of books on the bureau, the
volume of Schopenhauer on the table before the sofa, and numerous
sheets of music scattered in disorder over the piano. The whole
produced the impression that there were no bright eyes here, to whom
life was pleasant for the sake of its charms.
The face of the occupant only too plainly confirmed the testimony of
the mute objects around her.
The features were unlovely, harsh, and no longer youthful, the brows
almost met over the light grey eyes, the hair, thick but not soft, hung
over the pale brow like a heavy shadow. The only charm in this stern
visage, the full mouth with its dazzlingly white teeth, had a decided
approach to a mustache, and by its habitual expression of gloomy
defiance seemed to contradict the idea that this face could ever wish
to please. The same avoidance of all desire for comeliness was visible
in the dress. But even the most clumsy folds could not wholly conceal
the fact that the masculine head was placed on a most exquisite female
figure.
Public-domain text, read in full here on John Shaqi.
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