Women -- Social and moral questions; Women -- Social conditions
"My dears," said I, "where there is a will there is a way. Only resolve
that you will put the true beauty first,--that, even if you do have to
seem unfashionable, you will follow the highest beauty of
womanhood,--and the battle is half gained. Only resolve that your time,
your strength, your money, such as you have, shall not all--nor more
than half--be given to mere outward adornment, and you will go right. It
requires only an army of girls animated with this noble purpose to
declare independence in America, and emancipate us from the decrees and
tyrannies of French actresses and ballet-dancers. _En avant_, girls! You
yet can, if you will, save the republic."
X.
WHAT ARE THE SOURCES OF BEAUTY IN DRESS.
The conversation on dress which I had held with Jennie and her little
covey of Birds of Paradise appeared to have worked in the minds of the
fair council, for it was not long before they invaded my study again in
a body. They were going out to a party, but called for Jennie, and of
course gave me and Mrs. Crowfield the privilege of seeing them equipped
for conquest.
Latterly, I must confess, the mysteries of the toilet rites have
impressed me with a kind of superstitious awe. Only a year ago my
daughter Jennie had smooth dark hair, which she wreathed in various
soft, flowing lines about her face, and confined in a classical knot on
the back of her head. Jennie had rather a talent for _coiffure_, and the
arrangement of her hair was one of my little artistic delights. She
always had something there,--a leaf, a spray, a bud or blossom, that
looked fresh, and had a sort of poetical grace of its own.
But in a gradual way all this has been changing. Jennie's him first
became slightly wavy, then curly, finally frizzly, presenting a tumbled
and twisted appearance, which gave me great inward concern; but when I
spoke upon the subject I was always laughingly silenced with the
definitive settling remark: "O, it's the fashion, papa! Everybody wears
it so."
I particularly objected to the change on my own small account, because
the smooth, breakfast-table _coiffure_, which I had always so much
enjoyed, was now often exchanged for a peculiarly bristling appearance;
the hair being variously twisted, tortured, woven, and wound, without
the least view to immediate beauty or grace. But all this, I was
informed, was the necessary means towards crimping for some evening
display of a more elaborate nature than usual.
Public-domain text, read in full here on John Shaqi.
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