Fourthly, the Nanking government is an encouraging indication that the modern Chinese have finally come to the point where five-power republicanism is the norm. It is significant that the Nanking regime practices an extreme purism of organization and nomenclature, conforming precisely to antebellum practice.[11] The regime has changed the theoretical structure of the National Government very little, but added the Party ministries to the government cabinet. One further change has consisted in the logically desirable transference of the Ministry of Justice to the Executive _Yüan_ from the Judicial, thus eliminating the anomaly of having both prosecuting and adjudicatory agencies under the same control.[12] The minister, Li Shêng-wu, is a well-known scholar in international law and an educational editor.[13] [Footnote 11: Such a chart is found in _The People's Tribune_, XXIX (March 1940), p. 214, together with a list of incumbents on the following pages. The issue is headed by an editorial, "The National Government Returns to Its Capital" and "Peace, Struggle, and Save China" by Wang Ching-wei (_sic_). The official outline of the government is to be found in [Reorganized Government], _K'ao-shih Yüan Kung-pao_ (Public Gazette of the Examination _Yüan_), Nanking. Vol. I, No. 2 (June 1940), following p. 80.] [Footnote 12: [Reorganized Government], _Ssŭ-fa Hsing-chêng Kung-pao_ (Public Gazette of the Ministry of Justice), Nanking, gives a well-edited résumé of the work of the Ministry and its policy in prosecutions.] [Footnote 13: [_China Weekly Review_; J. B. Powell, editor], _Who's Who in China, Fifth Edition_, Shanghai, [1937], p. 145. For further information see the supplement on the pro-Japanese leaders in _Who's Who in China, Supplement to Fifth Edition_, Shanghai, [1940]. This presents a hall of notoriety for all the major Chinese leaders affiliated with the enemy. This _Who's Who_ is regarded by the present author as one of the most valuable sources on all Far Eastern politics. It is engrossingly good reading and entertainment, the pictures of the subjects being included in most instances. Behind these simple and short biographies, there lies more drama than Hollywood dare produce.]