60. Hsien Ch'ang, styled Tsze-ch'i [al. Tsze-hung] (縣成, 字子
棋 [al. 子橫]), a native of Lu. His place is the 22nd, east.
61. Tso Zan-ying [or simply Ying], styled Hsing and Tsze-
hsing (左人郢 [or simply 郢], 字行 and 子行), a native of Lu. His
tablet follows that of No. 59.
62. Yen Chi, styled An [al. Tsze-sze] (燕伋 [or 級], 字恩 [al. 子
思) a native of Ch'in. His tablet is the 24th east.
63: Chang Kwo, styled Tsze-t'u (鄭國, 字子徒), a native of Lu.
This is understood to be the same with the Hsieh Pang, styled
Tsze-ts'ung (薛邦, 字子從), of the 'Narratives of the School.' His
tablet follows No. 61.
64. Ch'in Fei, styled Tsze-chih (秦非, 字子之), a native of Lu,
having his tablet the 31st, west.
65. Shih Chih-ch'ang, styled Tsze-hang [al. ch'ang] (施之常, 字
子恆 [al. 常]), a native of Lu. His tablet is the 30th, east.
66. Yen K'wai, styled Tsze-shang (顏噲, 字子聲), a native of
Lu. His tablet is the next to that of No. 64.
67. Pu Shu-shang, styled Tsze-ch'e (步叔乘 [in the
'Narratives of the School' we have an old form of 乘], 字子車), a
native of Ch'i. Sometimes for Pu (步) we find Shao (少). His tablet
is the 30th, west.
68. Yuan K'ang, styled Tsze-chi (原亢, 字子籍), a native of Lu.
Sze-ma Ch'ien calls him Yuan K'ang-chi, not mentioning any
designation. The 'Narratives of the School' makes him Yuan K'ang
(抗), styled Chi. His tablet is the 23rd, west.
69. Yo K'o [al. Hsin], styled Tsze-shang (樂欬, [al. 欣], 字子聲),
a native of Lu. His tablet is the 25th, east.
70. Lien Chieh, styled Yung and Tsze-yung [al. Tsze-ts'ao] (廉
潔, 字庸 and 子庸 [al. 子曹), a native of Wei, or of Ch'i. His tablet is
next to that of No. 68.
71. Shu-chung Hui [al. K'wai], styled Tsze-ch'i (叔仲會 [al. 噲],
字子期), a native of Lu, or, according to Chang Hsuan, of Tsin. He
was younger than Confucius by fifty-four years. It is said that he
and another youth, called K'ung Hsuan (孔琁), attended by turns
with their pencils, and acted as amanuenses to the sage, and when
Mang Wu-po expressed a doubt of their competency, Confucius
declared his satisfaction with them. He follows Lien Chieh in the
temples.
Public-domain text, read in full here on John Shaqi.
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