Chinese drama -- History and criticism; Theater -- China
A play similar to the previous one in that it is much more moral than
probable is “Chu Sha Chü” (A Cinnabar Spot). A certain elderly gentleman
by the name of Han was very unhappy because he had no son. To remedy this
condition he bought himself a concubine; but when the marriage was about
to be consummated, the bride wept bitterly. Han asked the cause of the
tears at such an inappropriate time, and learned that his new spouse was
in reality a married woman who had allowed herself to be sold to aid her
sick husband. The old man took pity on her, burned the marriage contract,
and presented her with more money for her unfortunate husband. A noble
and unusual action, to be sure, which merited and received an unusual
reward! The woman returned to her husband and the latter recovered at
once. Returned once more to health, he went about his business which
carried him to Sze-chuan province. He brought with him a present for his
benefactor, a young boy whom he had bought in a district afflicted by
famine. Han was very much pleased with the bright boy and devoted himself
eagerly to his education. He gradually remarked that the boy resembled
him a great deal and began to wonder if it might not be possible that
it was his own son, who had been carried off a few years before in the
course of a rebellion. One day it occurred to him to examine the sole of
the boy’s foot, and there he found the very same cinnabar spot that had
always been his own distinguishing mark. This proved conclusively that it
was his own son, and both were very happy over the reunion that had been
brought about through Han’s kindness to a poor woman!
Public-domain text, read in full here on John Shaqi.
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