The Choice Humorous Works, Ludicrous Adventures, Bons Mots, Puns, and Hoaxes of Theodore HookHook, Theodore Edward
General
The Choice Humorous Works, Ludicrous Adventures, Bons Mots, Puns, and Hoaxes of Theodore Hook
Hook, Theodore Edward
English wit and humor
"The conversation fell upon her works, and she asked me how
I liked her Salvator Rosa? 'I have not read it,' replied I,
'because' (I added by way of excusing myself, 'tant bien que
mal') 'I like your fictions so much, that I did not choose to
read anything historical from the pen of the most imaginative of
romance writers.' 'O, that is only a romance,' said she; 'you may
read it without any qualms of conscience.' 'Very well,' thought
I; 'probably that will apply to your travels too,'--but this I
kept to myself. 'Ah,' said she, 'believe me, it is only _ennui_
that sets my pen in motion; our destiny in this world is such
a wretched one that I try to forget it in writing.' Probably
the Lord Lieutenant had not invited her, or some other great
personage had failed in 'his engagement to her, for she was
quite out of spirits."--Vol. ii., p. 103.
At page 108 we are introduced to Lady Clarke, Lady Morgan's
sister--for they are both "Ladies"--and Sir Arthur Clarke, and the
Misses Clarke, who turn out to be the two "pretty relatives." Lady
Clarke, we are told, "is very superior to her celebrated relation
in accurate taste and judgment." Of the young ladies, whom his
highness calls his "little nightingales," the prince says much; but
it would be unfair to criticise his criticisms upon them, which are
only distinguished by vanity, puppyism, conceit, bad taste, and bad
feeling. He takes these poor girls to see "the fine artist," M.
Ducrow, ("an admirable model for sculptors, in an elastic dress,
which fits exquisitely,") ride nine horses at once, and "finally go
to bed with a pony dressed as an old woman;" and the "little one"
trembled with delight, with anxiety and eagerness, and kept her hands
clenched all the time; and then comes a history of his fetching out a
girl, who had acted Napoleon, from a dressing-room, where she stood
naked as "a little Cupid before the glass," (we should have said a
little Venus!)--but there is no end to his malice.
"I rested myself (he says) this evening in the accustomed place.
'Tableaux' were again the order of the day. I had to appear
successively as Brutus, an Asiatic Jew, Francis the First,
and Saladin. Miss J---- was a captivating little fellow as a
student of Alcala; and her eldest sister, as a fair slave, a
welcome companion to Saladin. As the beautiful Rebecca, she also
assorted not ill with the oriental Jew. All these metamorphoses
were accomplished with the help only of four candles, two
looking-glasses, a few shawls and coloured handkerchiefs, a burnt
cork, a pot of rouge, and different heads of hair."
Even the mysteries of her ladyship's dressing-room, and the articles
which compose her ladyship's toilette, are not sacred in the eyes of
this "right-minded observer!"
Public-domain text, read in full here on John Shaqi.
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