But early that winter Major Falconer had died, and his next letter was but a
short hurried reply to one from her, bringing him this intelligence. And
before he wrote again, certain grave events had happened that led him still
further to defer acquainting her with his new situation, new duties, new
plans.
That same spring, then, during which he was entering upon his career in
Philadelphia, she too began really to live. And beginning to live, she began
to build--inwardly and outwardly; for what is all life but ceaseless inner
and outer building?
As the first act, she sold one of the major's military grants, reserving the
ample, noble, parklike one on which she had passed existence up to this; and
near the cabin she laid the foundations of her house. Not the great
ancestral manor-house on the James and yet a seaboard aristocratic Virginia
country-place: two story brick with two-story front veranda of Corinthian
columns; wide hall, wide stairway; oak wood interior, hand-carved, massive;
sliding doors between the large library and large dining-room; great
bedrooms, great fireplaces, great brass fenders and fire-dogs, brass locks
and keys: full of elegance, spaciousness, comfort, rest.
In every letter she sent him that spring and summer and early autumn, always
she had something to tell him about this house, about the room in it built
for him, about the negros she had bought, the land she was clearing, the
changes and improvements everywhere: as to many things she wanted his
advice. That year also she sent back to Virginia for flower-seed and shrub
and plants--the same old familiar ones that had grown on her father's lawn,
in the garden, about the walls, along the water--some of which had been
bought over from England: the flags, the lilies, honeysuckles, calacanthus,
snowdrops, roses--all of them. Speaking of this, she wrote him that of
course that most of these would have to be set out that autumn, and little
could be done for grounds till the following season; but the house!--it was
to be finished before winter set in. In the last of these letters, she ended
by saying: "I think I know now the very day you will be coming back. I can
hear your horse's feet rustling in the leaves of--I said--October; but I
will say November this time."
His replies were unsatisfying. There had been the short, hurried, earnest
letter, speaking of Major Falconer's death: that was all right. But since
then a vague blinding mist had seemed to lie between her eyes and every
page. Something was kept hidden--some new trouble. "I shall understand
everything when he comes!" she would say to herself each time. "I can wait."
Her buoyancy was irrepressible.
Late that autumn the house was finished--one of those early country-places
yet to be seen here and there on the landscape of Kentucky, marking the
building era of the aristocratic Virginians and renewing in the wilderness
the architecture of the James.
Public-domain text, read in full here on John Shaqi.
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