The Chorus Girl and Other StoriesChekhov, Anton Pavlovich
General
The Chorus Girl and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
hinder each other from living? What losses were due to it! what
terrible losses! If it were not for hatred and malice people would
get immense benefit from one another.
In the evening and the night he had visions of the baby, of the
willow, of fish, of slaughtered geese, and Marfa looking in profile
like a bird that wants to drink, and the pale, pitiful face of
Rothschild, and faces moved down from all sides and muttered of
losses. He tossed from side to side, and got out of bed five times
to play the fiddle.
In the morning he got up with an effort and went to the hospital.
The same Maxim Nikolaitch told him to put a cold compress on his
head, and gave him some powders, and from his tone and expression
of face Yakov realized that it was a bad case and that no powders
would be any use. As he went home afterwards, he reflected that
death would be nothing but a benefit; he would not have to eat or
drink, or pay taxes or offend people, and, as a man lies in his
grave not for one year but for hundreds and thousands, if one
reckoned it up the gain would be enormous. A man's life meant loss:
death meant gain. This reflection was, of course, a just one, but
yet it was bitter and mortifying; why was the order of the world
so strange, that life, which is given to man only once, passes away
without benefit?
He was not sorry to die, but at home, as soon as he saw his fiddle,
it sent a pang to his heart and he felt sorry. He could not take
the fiddle with him to the grave, and now it would be left forlorn,
and the same thing would happen to it as to the birch copse and the
pine forest. Everything in this world was wasted and would be wasted!
Yakov went out of the hut and sat in the doorway, pressing the
fiddle to his bosom. Thinking of his wasted, profitless life, he
began to play, he did not know what, but it was plaintive and
touching, and tears trickled down his cheeks. And the harder he
thought, the more mournfully the fiddle wailed.
The latch clicked once and again, and Rothschild appeared at the
gate. He walked across half the yard boldly, but seeing Yakov he
stopped short, and seemed to shrink together, and probably from
terror, began making signs with his hands as though he wanted to
show on his fingers what o'clock it was.
"Come along, it's all right," said Yakov in a friendly tone, and
he beckoned him to come up. "Come along!"
Looking at him mistrustfully and apprehensively, Rothschild began
to advance, and stopped seven feet off.
"Be so good as not to beat me," he said, ducking. "Moisey Ilyitch
has sent me again. 'Don't be afraid,' he said; 'go to Yakov again
and tell him,' he said, 'we can't get on without him.' There is a
wedding on Wednesday. . . . Ye---es! Mr. Shapovalov is marrying his
daughter to a good man. . . . And it will be a grand wedding, oo-oo!"
added the Jew, screwing up one eye.
"I can't come," said Yakov, breathing hard. "I'm ill, brother."
Public-domain text, read in full here on John Shaqi.
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