The Chorus Girl and Other StoriesChekhov, Anton Pavlovich
General
The Chorus Girl and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
Masha used to come in a carriage; I used to get in with her, and
we drove to Dubetchnya, feeling light-hearted and free. Or, after
waiting till the sun had set, I would go back dissatisfied and
dreary, wondering why Masha had not come; at the gate or in the
garden I would be met by a sweet, unexpected apparition--it was
she! It would turn out that she had come by rail, and had walked
from the station. What a festival it was! In a simple woollen dress
with a kerchief on her head, with a modest sunshade, but laced in,
slender, in expensive foreign boots--it was a talented actress
playing the part of a little workgirl. We looked round our domain
and decided which should be her room, and which mine, where we would
have our avenue, our kitchen garden, our beehives.
We already had hens, ducks, and geese, which we loved because they
were ours. We had, all ready for sowing, oats, clover, timothy
grass, buckwheat, and vegetable seeds, and we always looked at all
these stores and discussed at length the crop we might get; and
everything Masha said to me seemed extraordinarily clever, and fine.
This was the happiest time of my life.
Soon after St. Thomas's week we were married at our parish church
in the village of Kurilovka, two miles from Dubetchnya. Masha wanted
everything to be done quietly; at her wish our "best men" were
peasant lads, the sacristan sang alone, and we came back from the
church in a small, jolting chaise which she drove herself. Our only
guest from the town was my sister Kleopatra, to whom Masha sent a
note three days before the wedding. My sister came in a white dress
and wore gloves. During the wedding she cried quietly from joy and
tenderness. Her expression was motherly and infinitely kind. She
was intoxicated with our happiness, and smiled as though she were
absorbing a sweet delirium, and looking at her during our wedding,
I realized that for her there was nothing in the world higher than
love, earthly love, and that she was dreaming of it secretly,
timidly, but continually and passionately. She embraced and kissed
Masha, and, not knowing how to express her rapture, said to her of
me: "He is good! He is very good!"
Before she went away she changed into her ordinary dress, and drew
me into the garden to talk to me alone.
"Father is very much hurt," she said, "that you have written nothing
to him. You ought to have asked for his blessing. But in reality
he is very much pleased. He says that this marriage will raise you
in the eyes of all society, and that under the influence of Mariya
Viktorovna you will begin to take a more serious view of life. We
talk of nothing but you in the evenings now, and yesterday he
actually used the expression: 'Our Misail.' That pleased me. It
seems as though he had some plan in his mind, and I fancy he wants
to set you an example of magnanimity and be the first to speak of
reconciliation. It is very possible he may come here to see you in
a day or two."
Public-domain text, read in full here on John Shaqi.
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