The Chorus Girl and Other StoriesChekhov, Anton Pavlovich
General
The Chorus Girl and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
She hurriedly made the sign of the cross over me several times and
said:
"Well, God be with you. Be happy. Anyuta Blagovo is a very clever
girl; she says about your marriage that God is sending you a fresh
ordeal. To be sure--married life does not bring only joy but
suffering too. That's bound to be so."
Masha and I walked a couple of miles to see her on her way; we
walked back slowly and in silence, as though we were resting. Masha
held my hand, my heart felt light, and I had no inclination to talk
about love; we had become closer and more akin now that we were
married, and we felt that nothing now could separate us.
"Your sister is a nice creature," said Masha, "but it seems as
though she had been tormented for years. Your father must be a
terrible man."
I began telling her how my sister and I had been brought up, and
what a senseless torture our childhood had really been. When she
heard how my father had so lately beaten me, she shuddered and drew
closer to me.
"Don't tell me any more," she said. "It's horrible!"
Now she never left me. We lived together in the three rooms in the
big house, and in the evenings we bolted the door which led to the
empty part of the house, as though someone were living there whom
we did not know, and were afraid of. I got up early, at dawn, and
immediately set to work of some sort. I mended the carts, made paths
in the garden, dug the flower beds, painted the roof of the house.
When the time came to sow the oats I tried to plough the ground
over again, to harrow and to sow, and I did it all conscientiously,
keeping up with our labourer; I was worn out, the rain and the cold
wind made my face and feet burn for hours afterwards. I dreamed of
ploughed land at night. But field labour did not attract me. I did
not understand farming, and I did not care for it; it was perhaps
because my forefathers had not been tillers of the soil, and the
very blood that flowed in my veins was purely of the city. I loved
nature tenderly; I loved the fields and meadows and kitchen gardens,
but the peasant who turned up the soil with his plough and urged
on his pitiful horse, wet and tattered, with his craning neck, was
to me the expression of coarse, savage, ugly force, and every time
I looked at his uncouth movements I involuntarily began thinking
of the legendary life of the remote past, before men knew the use
of fire. The fierce bull that ran with the peasants' herd, and the
horses, when they dashed about the village, stamping their hoofs,
moved me to fear, and everything rather big, strong, and angry,
whether it was the ram with its horns, the gander, or the yard-dog,
seemed to me the expression of the same coarse, savage force. This
mood was particularly strong in me in bad weather, when heavy clouds
were hanging over the black ploughed land. Above all, when I was
ploughing or sowing, and two or three people stood looking how I
was doing it, I had not the feeling that this work was inevitable
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account