The Chorus Girl and Other StoriesChekhov, Anton Pavlovich
General
The Chorus Girl and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
Masha returned from the town towards the evening of the next day.
She was displeased with something, but she concealed it, and only
said, why was it all the window frames had been put in for the
winter it was enough to suffocate one. I took out two frames. We
were not hungry, but we sat down to supper.
"Go and wash your hands," said my wife; "you smell of putty."
She had brought some new illustrated papers from the town, and we
looked at them together after supper. There were supplements with
fashion plates and patterns. Masha looked through them casually,
and was putting them aside to examine them properly later on; but
one dress, with a flat skirt as full as a bell and large sleeves,
interested her, and she looked at it for a minute gravely and
attentively.
"That's not bad," she said.
"Yes, that dress would suit you beautifully," I said, "beautifully."
And looking with emotion at the dress, admiring that patch of grey
simply because she liked it, I went on tenderly:
"A charming, exquisite dress! Splendid, glorious, Masha! My precious
Masha!"
And tears dropped on the fashion plate.
"Splendid Masha . . ." I muttered; "sweet, precious Masha. . . ."
She went to bed, while I sat another hour looking at the illustrations.
"It's a pity you took out the window frames," she said from the
bedroom, "I am afraid it may be cold. Oh, dear, what a draught there
is!"
I read something out of the column of odds and ends, a receipt for
making cheap ink, and an account of the biggest diamond in the
world. I came again upon the fashion plate of the dress she liked,
and I imagined her at a ball, with a fan, bare shoulders, brilliant,
splendid, with a full understanding of painting, music, literature,
and how small and how brief my part seemed!
Our meeting, our marriage, had been only one of the episodes of
which there would be many more in the life of this vital, richly
gifted woman. All the best in the world, as I have said already,
was at her service, and she received it absolutely for nothing, and
even ideas and the intellectual movement in vogue served simply for
her recreation, giving variety to her life, and I was only the
sledge-driver who drove her from one entertainment to another. Now
she did not need me. She would take flight, and I should be alone.
And as though in response to my thought, there came a despairing
scream from the garden.
"He-e-elp!"
It was a shrill, womanish voice, and as though to mimic it the wind
whistled in the chimney on the same shrill note. Half a minute
passed, and again through the noise of the wind, but coming, it
seemed, from the other end of the yard:
"He-e-elp!"
"Misail, do you hear?" my wife asked me softly. "Do you hear?"
She came out from the bedroom in her nightgown, with her hair down,
and listened, looking at the dark window.
"Someone is being murdered," she said. "That is the last straw."
Public-domain text, read in full here on John Shaqi.
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