The Chorus Girl and Other StoriesChekhov, Anton Pavlovich
General
The Chorus Girl and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
And she began crumpling up her apron in her agitation. In the window
there were standing jars of berries in vodka. I poured myself out
a teacupful and greedily drank it off, for I was intensely thirsty.
Axinya had quite recently scrubbed the table and benches, and there
was that smell in the kitchen which is found in bright, snug kitchens
kept by tidy cooks. And that smell and the chirp of the cricket
used to lure us as children into the kitchen, and put us in the
mood for hearing fairy tales and playing at "Kings" . . .
"Where's Kleopatra?" Axinya asked softly, in a fluster, holding her
breath; "and where is your cap, my dear? Your wife, you say, has
gone to Petersburg?"
She had been our servant in our mother's time, and used once to
give Kleopatra and me our baths, and to her we were still children
who had to be talked to for their good. For a quarter of an hour
or so she laid before me all the reflections which she had with the
sagacity of an old servant been accumulating in the stillness of
that kitchen, all the time since we had seen each other. She said
that the doctor could be forced to marry Kleopatra; he only needed
to be thoroughly frightened; and that if an appeal were promptly
written the bishop would annul the first marriage; that it would
be a good thing for me to sell Dubetchnya without my wife's knowledge,
and put the money in the bank in my own name; that if my sister and
I were to bow down at my father's feet and ask him properly, he
might perhaps forgive us; that we ought to have a service sung to
the Queen of Heaven. . . .
"Come, go along, my dear, and speak to him," she said, when she
heard my father's cough. "Go along, speak to him; bow down, your
head won't drop off."
I went in. My father was sitting at the table sketching a plan of
a summer villa, with Gothic windows, and with a fat turret like a
fireman's watch tower--something peculiarly stiff and tasteless.
Going into the study I stood still where I could see this drawing.
I did not know why I had gone in to my father, but I remember that
when I saw his lean face, his red neck, and his shadow on the wall,
I wanted to throw myself on his neck, and as Axinya had told me,
bow down at his feet; but the sight of the summer villa with the
Gothic windows, and the fat turret, restrained me.
"Good evening," I said.
He glanced at me, and at once dropped his eyes on his drawing.
"What do you want?" he asked, after waiting a little.
"I have come to tell you my sister's very ill. She can't live very
long," I added in a hollow voice.
Public-domain text, read in full here on John Shaqi.
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