Chouans -- Fiction; French fiction -- Translations into English
Mademoiselle de Verneuil added not a word to that scornful ejaculation.
The young and handsome Chevalier du Vissard, eager to be forgiven for
the joke which had led to the insults at La Vivetiere, now came up to
her and respectfully invited her to dance. She placed her hand in his,
and they took their places in a quadrille opposite to Madame du Gua. The
gowns of the royalist women, which recalled the fashions of the exiled
court, and their creped and powdered hair seemed absurd as soon as they
were contrasted with the attire which republican fashions authorized
Mademoiselle de Verneuil to wear. This attire, which was elegant, rich,
and yet severe, was loudly condemned but inwardly envied by all the
women present. The men could not restrain their admiration for the
beauty of her natural hair and the adjustment of a dress the charm of
which was in the proportions of the form which it revealed.
At that moment the marquis and the count re-entered the ballroom behind
Mademoiselle de Verneuil, who did not turn her head. If a mirror had not
been there to inform her of Montauran’s presence, she would have
known it from Madame du Gua’s face, which scarcely concealed, under an
apparently indifferent air, the impatience with which she awaited the
conflict which must, sooner or later, take place between the lovers.
Though the marquis talked with the count and other persons, he heard
the remarks of all the dancers who from time to time in the mazes of the
quadrille took the place of Mademoiselle de Verneuil and her partner.
“Positively, madame, she came alone,” said one.
“She must be a bold woman,” replied the lady.
“If I were dressed like that I should feel myself naked,” said another
woman.
“Oh, the gown is not decent, certainly,” replied her partner; “but it is
so becoming, and she is so handsome.”
“I am ashamed to look at such perfect dancing, for her sake; isn’t it
exactly that of an opera girl?” said the envious woman.
“Do you suppose that she has come here to intrigue for the First
Consul?” said another.
“A joke if she has,” replied the partner.
“Well, she can’t offer innocence as a dowry,” said the lady, laughing.
The Gars turned abruptly to see the lady who uttered this sarcasm, and
Madame du Gua looked at him as if to say, “You see what people think of
her.”
“Madame,” said the count, laughing, “so far, it is only women who have
taken her innocence away from her.”
The marquis privately forgave the count. When he ventured to look at his
mistress, whose beauty was, like that of most women, brought into relief
by the light of the wax candles, she turned her back upon him as she
resumed her place, and went on talking to her partner in a way to let
the marquis hear the sweetest and most caressing tones of her voice.
“The First Consul sends dangerous ambassadors,” her partner was saying.
“Monsieur,” she replied, “you all said that at La Vivetiere.”
“You have the memory of a king,” replied he, disconcerted at his own
awkwardness.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account