Du-zi is but another form of Tam-zi and denotes the sun when obscured by night and winter." Concerning the two lays of this Babylonian or Assyrian epic which pertain to Adonis, Dr. Soury says: "The two important episodes of this epic hitherto discovered, 'The Deluge,' and 'The Descent of Istar into Hell,' yield the best commentary on the Biblical stories of the deluge and hell (sheol). We have henceforth the epigraphic proof, confirming the valuable testimony of Berosus, that these legends--like those of the creation, of the Tower of Babel, etc.--did not originate in Palestine, but were carried thither by the Hebrews with the civilization and worship of the people of the valley of the Tigris and Euphrates, amid whom they had sojourned for centuries.... The Babylonian deluge is also a chastisement from the deity; it is the consequence of man's corruption (Assyrian poem, line 22). The details of the building of the Babylonian ark (line 24), into which are introduced the various pairs of male and female animals (line 80), of the shutting of the doors of the ark (line 89), of the duration, increase and decrease of the flood (lines 123-129), of the sending out of a dove, a swallow and a raven (lines 140-144), etc., leave no doubt as to the origin of the legend of Genesis" (Religion of Israel, p. 10). The noted Assyriologist, George Smith, of the British Museum, who discovered the tablets containing these fragments of the Babylonian epic, says that the original text of these legends cannot be later than the 17th century B. C., and may be much earlier, thus antedating the oldest books of the Bible nearly 1,000 years. From these and other Babylonian and Persian legends the most of the Old Testament legends were borrowed. This fact disproves the existence of the orthodox Christ. If the accounts of the creation, the fall of man, and the Noachian deluge, as given in the Bible, are not authentic, but merely borrowed fables, then there remains no foundation for an atoning Savior. Describing the worship of Adonis, "Chambers's Encyclopedia" says: "His festivals were partly the expressions of joy, partly of mourning. In the latter the women gave themselves up to the most unmitigated grief over the 'lost Adonis.'... This period was followed by a succession of festive and joyful days, in honor of the resurrection of Adonis." These festivals correspond to the Good Friday and Easter of Christians, commemorating the death and resurrection of Christ.