The Christ of Paul; Or, The Enigmas of ChristianityReber, George
Religion
The Christ of Paul; Or, The Enigmas of Christianity
Reber, George
Bible. New Testament -- Controversial literature; Church history -- Primitive and early church, ca. 30-600 -- Controversial literature
The mystical language used by Isaiah in the fourteenth verse of the
seventh chapter, which has been the cause of so much speculation and
false interpretation, springs from the poetic element of the Hebrew
mind. Had Isaiah lived in our day, his sublime genius would have
produced a Paradise Lost; but in his own country, and in his own times,
his imagination dwelt upon ideas and thoughts which had their root in
the hearts of the Jewish people. The Hebrew poets found subjects within
the history of their own nation best suited to arouse their genius, and
move the hearts of the people. The sorrows and afflictions brought on
the nation by her enemies, and her final deliverance by the hand of the
Lord, are favorite themes, and inspire her poets with thoughts full of
tenderness, and with denunciations which are sublime and often terrific.
The harp of Zion in the hands of the daughters of Judah, as they weep
by the waters of Babylon, gives forth no sounds but those of sorrow; but
the genius of her prophets, inspired by a consciousness that a time
of deliverance will come, deals out thunderbolts on the heads of their
oppressors.
What are called the prophecies of Isaiah are nothing more, many of them,
than so many epic poems, like the Iliad of Homer, to celebrate scenes
and real occurrences in Jewish history. The war upon Ahaz, king of
Judah, by Rezin and Pekah, kings of Israel and Syria, took place during
the life of Isaiah: and the poet undertakes to commemorate the history
of the times, in the form of a Jewish epic. He speaks of the past, and
not of things to come. The Jews were taught to believe that their nation
was the favorite people of God, and from the time of Moses to the last
of her prophets, her poets did not hesitate to introduce the Lord, and
cause him to take part in a Jewish epic, any more than Homer hesitated
to introduce Jupiter and all the heathen gods into the story of the
Iliad. The meeting of the Lord and Ahaz at the "end of conduit of the
upper field," and what afterwards takes place, is the poetic license of
the poet, as he undertakes to narrate a portion of the history of his
own time.
CHAPTER XXI.
Bethlehem the birthplace of Christ, as foretold by the
prophets.--Cyrus, the deliverer and ruler referred to by
Micah the prophet.--The Lamentations of Jeremiah spoken of
by Matthew (Chap. ii. 18), refers to the Jews, and not to
the massacre of the infants by Herod.
When Herod inquired of the wise men where Christ should be born, they
said unto him, "In Bethlehem of Judea: for thus it is written by the
prophet, And thou Bethlehem, in the land of Juda, art not the least
among the princes of Juda: for out of thee shall come a Governor, that
shall rule my people Israel." (_Matt_. ii. 5, 6.)
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account