At the end of the fourth week, after Glory had paid her fee to the
agent, she called on him again. It was Saturday morning, and the
vicinity of his office was a strange and surprising scene. The staircase
and passages to the house, as well as the pavement of the streets far as
to the public-house at the corner, were thronged with a gaudy but shabby
army of music-hall artistes of both sexes. When Glory attempted to pass
through them she was stopped by a cry of, “Tyke yer turn on Treasury
day, my dear,” and she fell back and waited.
One by one they passed upstairs, came down again with cheerful faces,
shouted their adieus and disappeared. Meanwhile they amused themselves
with salutations, all more or less lively and familiar, told stories and
exchanged confidences, while they danced a step or stamped about to keep
away the cold. “You've chucked the slap [* Rouge.] on with a mop this
morning, my dear,” said one of the girls. “Have I, my love? Well, I was
a bit thick about the clear, so I thought it would keep me warm.” “It
ain't no use facing the doner of the casa with that,” said a man who
jingled a few coins as he came downstairs, and away went two to the
public-house. Sometimes a showy brougham would drive up to the door and
a magnificent person in a fur-lined coat, with diamond rings on both
hands, would sweep through the lines and go upstairs. When he came down
again his carriage door would be opened by half a dozen “pros” who would
call him “dear old cully” and tell him they were “down on their luck”
and “hadn't done a turn for a fortnight.” He would distribute shillings
and half-crowns among them, cry “Ta-ta, boys,” and drive away, whereupon
his pensioners would stroke their cuffs and collars of threadbare
astrakhan, tip winks after the carriage, and say, “That's better than
crying cabbages in Covent Garden, ain't it?” Then they would all laugh
knowingly, and one would say, “What's it to be, cully?” and somebody
would answer, “Come along to Poverty Point then,” and a batch of the
waiting troop would trip off to the corner.
One of the gorgeous kind was coming down the stairs when his eye fell on
Glory as she stood in a group of girls who were decked out in rose pink
and corresponding finery. He paused, turned back, reopened the office
door, and said in an audible whisper, “Who's the pretty young ginger
you've got here, Josephs?” A moment afterward the agent had come out and
called her upstairs.
“It's salary day, my dear--vait there,” he said, and he put her into an
inner room, which was tawdrily furnished in faded red plush, with piano
and coloured prints of ballet girls and boxing men, and was full of the
odour of stale tobacco and bad whisky.
Public-domain text, read in full here on John Shaqi.
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