That night in her musty bedroom Glory wrote home while little Slyboots
slept: “'The best-laid schemes o' mice and men gang aft aglee.' Witness
me!
“I intended to send you some Christmas presents, but the snow has
been so industrious that not a mouse has stirred if he could help it.
However, I send three big kisses instead, and a pair of mittens for
grandfather--worked with my own hands, because I wouldn't allow any
good Brownie to do it for me. Tell Aunt Rachel I _do_ see the Prince and
Princess sometimes. I saw them at the theatre the other night. Yes, the
theatre! You must not be shocked--we are rather gay in London--we go
to the theatre occasionally. It is so interesting to meet all the great
people! You see I am fairly launched in fashionable society, but I love
everybody just the same as ever, and the moment the candle is out I
shall be thinking of Glenfaba and seeing the 'Waits,' and 'Oiel Verree,'
and 'Hunting the Wren,' and grandfather smoking his pipe in the study
by the light of the fire, and Sir Thomas Traddles, the tailless, purring
and blinking at his feet. Merry Christmas to you, my dears! By-bye.”
VIII.
“'Where's that bright young Irish laidy?' the gentlemen's allwiz sayin',
my dear,” said Mrs. Jupe, and for very shame's sake, having no money to
pay for board and lodgings, Glory returned to the counter.
A little beyond Bedford Row, in a rookery of apartment houses in narrow
streets, there lives a colony of ballet girls and chorus girls who are
employed at the lighter theatres of the Strand. They are a noisy, merry,
reckless, harmless race, free of speech, fond of laughter, wearing false
jewellery, false hair, and false complexions, but good boots always,
which they do their utmost not to conceal.
Many of these girls pass through the Turnstile on their way to their
work, and toward seven in the evening the tobacconist's would be full of
them. Nearly all smoked, as the stained forefinger of their right
hands showed, and while they bought their cigarettes they chirruped and
chirped until the little shop was like a tree full of linnets in the
spring.
Most of them belonged to the Frailty Theatre, and their usual talk
was of the “stars” engaged there. Chief among these were the “Sisters
Bellman,” a trio of singers in burlesque, and a frequent subject of
innuendo and rapartee was one Betty, of that ilk, whose name Glory could
remember to have seen blazing in gold on nearly every hoarding and sign.
Public-domain text, read in full here on John Shaqi.
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