“But you want to learn why I am here. Well, you must know that Mr.
Koenig (although a foreign musician) is organist of All Saints',
Belgravia, where they sing a solo anthem at nearly every Sunday morning
service; and having had various disappointments at the hands of vocal
soloists from the Opera, whose 'professional engagements suddenly
intervened,' he conceived the audacious idea of 'intervening' a woman to
do their duty permanently. So this is my position in the church at which
John Storm used to be curate, and once a week I pipe that his old enemy
the canon may play. But as that good man is of St. Paul's opinion about
women holding their tongues in the synagogue, and is blest with just
enough ear to know a contralto from a corn-crake, I have to be hidden
away behind a screen in order that his reverence may have all the fun to
himself of believing me to be a boy.
“So you see, my dearies, you needn't be anxious about me, 'at all at
all', seeing that I am living in this atmosphere of art and the odour of
sanctity, and that I have kept only one tiny little thing back, and I am
going to tell you that now. You were afraid that I might go too often to
the theatre, Aunt Anna. Never mind, auntie, I shall not be going so
very often now, and in proof thereof permit me to introduce myself in
my future style and character--Miss Glory Quayle, the eminent social
entertainer! You don't know what that is, dear people? It is quite
simple and innocent, nevertheless. I am to go to the houses of smart
people when they give their grand parties and sing and recite, and so
forth. Nothing wrong, you see--only what I used to do at Glenfaba.
“You must know that, just as in the country the men go to the smithy
when they have nothing more pressing on hand than to settle the affairs
of the universe, and the women to the mangle-house when they have to
mangle other things besides clothes, so in the towns the poor rich
people have their own particular diversion, which they call their 'At
Homes.' Mr. Drake used to tell me they were terrible Tower-of-Babel
concerns, at which everybody talked at once, and all the tongues in the
place went 'click-clack, world without end.' But they must be perfectly
charming for all that; and when I think of the dresses and the diamonds
and the titles as long as your breath--oh, dear! oh, dear!
Public-domain text, read in full here on John Shaqi.
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