“Yes, the ideal of womanhood has changed since the old aunties were
young; but when I listen to Rosa and then look over at Rachel with her
black ringlets, and at Anna with her old-fashioned 'front,' I shudder
and ask myself, 'Why do I struggle?' What is the reward if one gives up
the fascination of life and the world? There is no reward. Nothing but
solitary old-maidism, unless two of you happen to be sisters, for who
else will join her shame to yours? Dreams, dreams, only dreams of the
dearest thing that ever comes into a woman's arms--and then you awake
and there is no one there. A dame's school, when the old father is
gone, but no children of your own to love you, nobody to think of you,
scraping a little here, pinching a little there, growing older and
smaller year by year, looking yellow and craned like an apple that has
been kept on the top shelf too long, and then--the end!
“Oh, but I'm trying so hard, so very hard, to be 'true to the higher
self in me,' because somebody says I must. What do you think I did last
week? In my character of Lady Bountiful I gave an old folks' supper in
the soup kitchen, understood to be in honour of my return. Roast beef
and plum duff, not to speak of pipes and 'baccy, and forty old people of
both sexes sitting down to 'the do.' After supper there was a concert,
when Chaise (the fat old thief!) overflowed the 'elber' chair, and
alluded to me as 'our beautiful donor,' and lured me into singing
Mylecharaine, and leading the company, when we closed with the doxology.
“But 'it was not myself at all, Molly dear, 'twas my shadow on the
wall,' and in any case man can't live by soup kitchens alone--nor woman
either. And knowing what a poor, weak, vain woman I am at the best,
I ask myself sometimes would it not be a thousand times better if I
yielded to my true nature instead of struggling to realize a bloodless
ideal that is not me in the least, but only my picture in the heart of
some one who thinks me so much better than I am?
“Not that anybody ever sees what a hypocrite I can be, though I came
near to letting the cat out of the bag as lately as last night. You must
know that when I turned my back on London at the command of John Knox
the second, I brought all my beautiful dresses along with me, except
such of them as were left at the theatre. Yet I daren't lay them out in
the drawers, so I kept them under lock and key in my boxes. There
they lurked like evil spirits in ambush, and as often as their perfume
escaped into the room my eyes watered for another sight of them! But in
spite of all temptation I resisted, I conquered, I triumphed--until last
night when Rosa talked of Juliet, what a glorious creature she was, and
how there was nobody on the stage who could 'look' her and 'play' her
too!
Public-domain text, read in full here on John Shaqi.
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