Glory was strumming on the door and singing to drown his voice. When
the story was ended and she was allowed to come back she was panting and
gasping with laughter, but there were tears in her eyes for all that,
and Lord Robert was saying, with a sidelong look toward John Storm,
“Really, this ought to be a scene in the new Sigurdsen, don't you know!”
John had retired within himself during this nonsense. He had been
feeling an intense hatred of the two men, and was looking as gloomy as
deep water. “All acting, sheer acting,” he thought, and then he told
himself that Glory was only worthy of his contempt. What could attract
her in the society of such men? Only their wealth, and their social
station. Their intellectual and moral atmosphere must weary and revolt
her.
Rosa had to go to her newspaper office, and Drake saw her to the door.
John rose at the same time, and Glory said, “Going already?” but she did
not try to detain him. She would see him again; she had much to say
to him. “I suppose you were surprised to hear that I had returned to
London?” she said, looking up at his knitted brows.
He did not answer immediately, and Lord Robert, who was leaning against
the chimney-piece, said in his cold drawl, “Your friend ought to be
happy that you have returned to London, seems to me, my dear, instead of
wasting your life in that wilderness.”
John drew himself up. “It's not London I object to,” he said; “that was
inevitable, I dare say.”
“What then?”
“The profession she has come back to follow.”
“Why, what's amiss with the profession?” said Lord Robert, and Drake,
who returned to the room at the moment, said: “Yes, what's amiss with
it? Some of the best men in the world have belonged to it, I think.”
“Tell me the name of one of them, since the world began, who ever lived
an active Christian life.”
Lord Robert made a kink of laughter, and, turning to the window, began
to play a tune with his finger tips on the glass of a pane. Drake
struggled to keep a straight face, and answered, “It is not their rôle,
sir.”
“Very well, if that's too much to ask, tell me how many of them
have done anything in real life, anything for the world, for
humanity--anything whatever, I don't care what it is.”
“You are unreasonable, sir,” said Drake, “and such objections could as
properly apply to the professions of the painter and the musician. These
are the children of joy. Their first function is to amuse. And surely
amusement has its place in real life, as you say.”
“On the contrary,” said John, following his own thought, for he had not
listened, “how many of them have lived lives of reckless abandonment,
self-indulgence, and even scandalous license!”
“Those are abuses that apply equally to other professions, sir. Even the
Church is not free from them. But in the view of reasonable beings one
clergyman of evil life--nay, one hundred--would not make the profession
of the clergy bad.”
Public-domain text, read in full here on John Shaqi.
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