The rehearsals began early in the morning and usually lasted until late in the afternoon. Glory found them wearisome, depressing, and often humiliating. The body of the theatre was below the level of the street, and in the daytime was little better than a vast vault. If she entered by the front she stumbled against seats and saw the figures of men and women silhouetted in the distance, and heard the echo of cavernous voices. If by the back, she came upon the prompter's table set midway across the stage, with a twin gas-bracket shooting up behind it like a geyser, and an open space of some twenty feet by twenty in front whereon the imaginary passions were to disport themselves at play. Glory found real ones among them, and they were sometimes in hideous earnest. Jealousy, envy, uncharitableness, and all the rancour of life where the struggle for it is bitterest, attempts to take advantage of her inexperience, to rob her of the best positions on the stage, to cut out her lines which “scored”--these, with the weary waits, the half darkness, the chill atmosphere, the void in front, with its seats in linen covers, suggesting an audience of silent ghosts, and then the sense of the bright, busy, bustling, rattling, real world above, sent her home day after day with a headache, a heartache, and tears bubbling out of her eyes. And when she had conquered these conditions, or settled down to them, and had made such progress with her part as to throw away her scrip, the old horror of the woman she was to make herself into, came back as a new terror. The visionary Gloria was very proud and vain and selfish, and trampled everything under foot that she might possess the world and the things of the world. Meantime the real Gloria had a far different part to play. Every morning, with a terrible reality at her heart, she glanced over the newspapers for news of John Storm. She had not far to look. A sort of grotesque romance had gathered about him, as of a modern Don Quixote tilting at windmills. His name was the point of a pun; there were cartoons, caricatures, and all other forms of the joke that is not a joke because it is an insult. Sometimes she took stolen glances at his work. On Sunday morning she walked through Soho, past the people sitting on their doorsteps reading the sporting intelligence in the Sunday papers, with their larks in cages hung on nails, overhead, until she came to the church, and heard the singing inside, and saw chalked up on the walls the legend, “God bless the Farver!” “Strange charge against a clergyman!” It was a low-class paper, and the charge was a badge of honour. A young ruffian (it was Charles Wilkes) had been brought up on remand on a charge of assaulting Father Storm, and being sentenced to a week's imprisonment, notwithstanding the Father's appeal and offer of bail, he had accused the clergyman of relations with his sweetheart (it was Agatha Jones).