She was crying on his breast, but with what mixed and conflicting
feelings! Joy, pain, delight, dread, hope, disappointment. She had tried
to dishonour herself in his eyes, and it would have broken her heart if
she had succeeded. But she had failed and he had triumphed, and that was
harder still to bear.
From overhead they heard the last lines of the song:
Erreicht den Hof mit Müh und Noth
In seinen Armen das Kind war todt.
“Good-night,” she whispered, and fled into the house. The lights in the
dining-room were lowered, but she found a telegram that was waiting on
the mantelpiece. It was from Sefton, the manager: “Author arrived in
London today. Hopes to be at rehearsal Monday. Please be there certain.”
The world was seizing her again, the imaginary Gloria was dragging her
back with visions of splendour and success. But she crept upstairs and
went by the drawing-room on tip-toe. “Not to-night,” she thought. “My
face is not fit to be seen to-night.”
There was a dying fire in her bedroom, and her evening gown had been
laid out on a chair in front of it. She put the gown away in a drawer,
and out of a box which she drew from beneath the bed she took a far
different costume. It was the nurse's outdoor cloak, which she had
bought for use at the hospital. She held it a moment by the tips of her
fingers and looked at it, and then put it back with a sigh.
“Gloria! is that you?” Rosa called up the stairs; and Drake's cheery
voice cried, “Won't our nightingale come down and give us a stave before
I go?”
“Too late! Just going to bed. Good-night,” she answered. Then she lit a
candle and sat down to write a letter.
“It's no use, dear John, I can not! It would be like putting bad money
into the offertory to put me into that holy work. Not that I don't
admire it, and love it, and worship it. It is the greatest work in the
world, and last week I thought I could count everything else as dross,
only remembering that I loved you and that nothing else mattered. But
now I know that this was a vain and fleeting sentiment, and that the
sights and scenes of your work repel me on a nearer view, just as the
hospital repelled me in the early mornings when the wards were being
cleaned and the wounds dressed, and before the flowers were laid about.
“Oh, forgive me, forgive me! But if I am fit to join your life at all
it can not be in London. That 'old serpent called the devil and Satan'
would be certain to torment me here. I could not live within sight and
sound of London and go on with the life you live. London would drag me
back. I feel as if it were an earlier lover, and I must fly away from
it. Is that possible? Can we go elsewhere? It is a monstrous demand,
I know. Say you can not agree to it. Say so at once--it will serve me
right.”
The stout watchman of the New Inn was calling midnight when Glory stole
out to post her letter. It fell into the letter-box with a thud, and she
crept back like a guilty thing.
XVI.
Public-domain text, read in full here on John Shaqi.
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