As the day approached that was to be big with the fate of London, his church, which had been crowded before, was now besieged. He was understood to preach the hope that in the calamity to befall the city a remnant would be saved, as Israel was saved from the plagues of Egypt. Thousands who were too poor to leave London had determined to spend the night of the fateful day in the open air, and already they were going out into the fields and the parks, to Hampstead, Highgate, and Blackheath. The panic was becoming terrible and the newspapers were calling upon the authorities to intervene. A danger to the public peace was threatened, and the man who was chiefly to blame for it should be dealt with at once. No matter that he was innocent of active sedition, no matter that he was living a life devoted to religious and humanitarian reforms, no matter that his vivid faith, his trust in God, and his obedience to the divine will were like a light shining in a dark place, no matter that he was not guilty of the wild extravagance of the predictions of his followers--“the Father” was a peril, he was a panic-maker, and he should be arrested and restrained. The morning of Derby Day broke gray and dull and close. It was one of those mornings in summer which portend a thunderstorm and great heat. In that atmosphere London awoke to two great fevers--the fever of superstitious fear and the fever of gambling and sport. II. But London is a monster with many hearts; it is capable of various emotions, and even at that feverish time it was at the full tide of a sensation of a different kind entirely. This was a new play and a new player. The play was “risky”; it was understood to present the fallen woman in her naked reality, and not as a soiled dove or sentimental plaything. The player was the actress who performed this part. She was new to the stage, and little was known of her, but it was whispered that she had something in common with the character she personated. Her success had been instantaneous: her photograph was in the shop windows, it had been reproduced in the illustrated papers, she had sat to famous artists, and her portrait in oils was on the line at Burlington House. The play was the latest work of the Scandinavian dramatist, the actress was Glory Quayle. At nine o'clock on the morning of Derby Day Glory was waiting in the drawing-room of the Garden House, dressed in a magnificent outdoor costume of pale gray which seemed to wave like a ripe hayfield. She looked paler and more nervous than before, and sometimes she glanced at the clock on the mantelpiece and sometimes looked away in the distance before her while she drew on her long white gloves and buttoned them. Rosa Macquarrie came upstairs hurriedly. She was smartly dressed in black with red roses and looked bright and brisk and happy. “He has sent Benson with the carriage to ask us to drive down,” said Rosa. “Must have some engagement surely. Let us be off, dear. No time to lose.”