It will be useful to notice some features of Bergson's system before attempting to estimate its bearings upon religious problems. The story of evolution as Bergson describes it, certainly in an engaging manner, is a drama in three acts. The _élan vital_, or otherwise consciousness, is the hero, but is imprisoned by matter (the villain), and is striving blindly for release. In the first act, the vital impulse tunnels its way through the opposing element of matter into the vegetable world. The result is only the lethargy and immobility of vegetable forms, and is so far a failure. The next act finds consciousness working its way into the animal world and attaining mobility and becoming in so far free from the entanglements of matter; but here again there is partial failure. Consciousness is arrested at the stage of instinct, and, resting content with a response to the environment which is patterned after the mechanical action of matter, fails to attain freedom. In the third act, "by a tremendous leap," consciousness, in spite of the efforts of matter to drag it down to the plane of mechanism, reaches at last spontaneity and freedom in man. The drama reaches its _dénouement_ in man and his ability not only to move in response to environment, but to control the environment. It is intimated that there may be a sequel, in which life pursues its career in another stage of existence. 1. It is evident at a glance that the view of evolution here set forth in barest outline offers many points of contrast to what has been accepted as evolutionary orthodoxy. The history of life with both Darwin and Bergson is a struggle: but with Darwin it is a struggle for existence, with Bergson a struggle for freedom, for efficiency, for complexity. With Darwin there is a struggle of living beings with one another, conceived after the analogy of economic competition; with Bergson there is a struggle of life against matter and necessity. The struggle for existence, in a sense, has been moralized. It is a struggle for the existence and higher life of consciousness. 2. Creative evolution is not materialistic evolution, for life is not a development from matter but is an upward tendency opposing the downward current of matter. The increasing complexity of living forms is not the result of the movements of matter, or of chemical-physical laws, but of an opposition, successful in a unique degree in men, to the imprisoning and entangling forces of matter.