The Christian Faith Under Modern SearchlightsJohnson, William Hallock
Religion
The Christian Faith Under Modern Searchlights
Johnson, William Hallock
Modernism (Christian theology)
Four universals were contained in the last commands of the Risen Christ:
"All authority has been given unto me. Go, disciple all the nations,
teaching them to observe all things that I have commanded you: and lo, I
am with you all the days." If the marching orders of the Church were to
be obeyed, the Christian Faith must be brought into contact and into
conflict not only with Judaism but with all the ethnic faiths. If its
program is to be carried out successfully, Christianity must supersede
all other religions. In this lecture we must consider the relation of
Christianity to ancient religions, or those prevalent in the Roman
Empire at the time of its founding, and then its relation to modern
religions.
I. CHRISTIANITY AND ANCIENT RELIGIONS
That the religion of the cross, which started in a despised and
persecuted sect among a people without intellectual or military
prestige, should in three centuries become the state religion of the
Roman Empire, is often spoken of as the miracle of history. The early
missionary could not appeal to military force or to an obviously
superior type of civilization, and the wonder is not that Christianity
conquered the Roman world but that it ever secured a foothold at all.
The familiar argument has been: "We can account for the progress of
Christianity, against obstacles and without outward aids, only upon the
assumption that a divine power was working within."
Since the rise of the "religious-historical school" in Germany some
dozen years ago, the question of Christianity's relation to contemporary
religions has come up in a new form, and has been brought into the
foreground of theological discussion. The victory of early Christianity,
it is asserted, is due to the fact that Paul not merely presented it to
the Romans in a juridical form, but that he preached the myth or mystery
of a dying and rising Saviour to the myth loving Greeks; and it is even
said that the New Testament portrait of Christ, whatever historical
reality lies behind it, is in fact a sort of glorified composite
photograph made out of the elements of a Jewish Messiah, a Greek Apollo
or Adonis and an Egyptian Osiris. The claim is made by the more extreme
members of the "religious-historical school" that every feature of
Christianity that was supposed to be original, and indeed practically
the whole Gospel narrative, can be parallelled closely or remotely in
Persian, Hindu, Syrian, Egyptian or Greek religious literature, or in
the Old Testament and the teaching of the philosophers.
Public-domain text, read in full here on John Shaqi.
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