The Christian View of the Old TestamentEiselen, Frederick Carl
Religion
The Christian View of the Old Testament
Eiselen, Frederick Carl
Bible. Old Testament -- Criticism, interpretation, etc.
Compare with this the simple, yet majestic, conception, "In the
beginning God created the heavens and the earth." In one case many
gods, in the other one God almighty; in one case the gods are a part of
the process of creation, in the other the uncreated God is in the
beginning. Genesis presents God as almighty, but also as kind,
beneficent, loving; Marduk, the Babylonian creator, is represented as a
great hero, but exceedingly selfish. He undertakes the mighty task of
{207} overcoming Tiamat only after making arrangements for a suitable
reward. The description of the heavenly banquet scene, to which
reference has been made earlier in the chapter, implies a conception of
the character of the gods which is separated by an impassable gulf from
the Old Testament ideal.
No one can read with an unbiased mind the two accounts without
realizing the great differences between the mythological, polytheistic
account of the Babylonians and the simple, solemn, sublime,
monotheistic picture in Genesis. The soberness, the dignity, the
simplicity of the Hebrew account lift it far above its Babylonian
counterpart. From it the crude nature myths have all been stripped
away. No drunken gods hold revels in its solemn lines. Above and
behind and in all is one righteous and beneficent God. In this sublime
ethical monotheism the Hebrew story rises infinitely above the story
that originated in the Euphrates-Tigris valley.
Another Babylonian tradition, the close relation of which to the
biblical account has long been recognized, is the story of the Deluge.
In its cuneiform text it was first discovered on fragments of tablets
brought from the library of Ashurbanipal. But that the Babylonians
possessed a story of the Flood was known before from an outline
preserved by Berosus. The tradition brought to {208} light by
archæology forms an episode in an epic which narrates the exploits of
Gilgamesh and occupies the eleventh of the twelve parts into which the
epic is divided. Gilgamesh sprang from a city, Shurippak, which
afterward completely disappeared. He became king of Erech, where he
ruled as a tyrant until the gods created Ea-bani to destroy him. The
two, however, became bosom friends. Together they delivered Erech from
the Elamite oppressor, Khumbaba. Ishtar, the goddess of love, then
offered her hand to Gilgamesh in marriage, which he spurned with scorn.
Out of revenge, she sent a scorpion, whose sting proved fatal to
Ea-bani. Gilgamesh himself she smote with an incurable disease. To
find relief, the latter set out for the dwelling place of his
great-grandfather, Ut-napishtim, far away on the isles of the blessed.
When he finally reaches him the latter tells him all about the great
Flood from which he escaped to enjoy eternal life.[32]
Public-domain text, read in full here on John Shaqi.
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