"My good M----" I say--and M---- will corroborate, if need be, the statement I make here--"here is the Times' article, dated January 4th, which states so and so, and here is a letter from the publisher, likewise dated January 4th, and which says:-- "MY DEAR Sir,--Having this day sold the last copy of the first edition (of x thousand) of the 'Kickleburys Abroad,' and having orders for more, had we not better proceed to a second edition? and will you permit me to enclose an order on," &c. &c.? Singular coincidence! And if every author who was so abused by a critic had a similar note from a publisher, good Lord! how easily would we take the critic's censure! "Yes, yes," you say; "it is all very well for a writer to affect to be indifferent to a critique from the Times. You bear it as a boy bears a flogging at school, without crying out; but don't swagger and brag as if you liked it." Let us have truth before all. I would rather have a good word than a bad one from any person: but if a critic abuses me from a high place, and it is worth my while, I will appeal. If I can show that the judge who is delivering sentence against me, and laying down the law and making a pretence of learning, has no learning and no law, and is neither more nor less than a pompous noodle, who ought not to be heard in any respectable court, I will do so; and then, dear friends, perhaps you will have something to laugh at in this book.-- "THE KICKLEBURYS ABROAD. "It has been customary, of late years, for the purveyors of amusing literature--the popular authors of the day--to put forth certain opuscules, denominated 'Christmas Books,' with the ostensible intention of swelling the tide of exhilaration, or other expansive emotions, incident upon the exodus of the old and the inauguration of the new year. We have said that their ostensible intention was such, because there is another motive for these productions, locked up (as the popular author deems) in his own breast, but which betrays itself, in the quality of the work, as his principal incentive. Oh! that any muse should be set upon a high stool to cast up accounts and balance a ledger! Yet so it is; and the popular author finds it convenient to fill up the declared deficit, and place himself in a position the more effectually to encounter those liabilities which sternly assert themselves contemporaneously and in contrast with the careless and free-handed tendencies of the season by the emission of Christmas books--a kind of literary assignats, representing to the emitter expunged debts, to the receiver an investment of enigmatical value. For the most part bearing the stamp of their origin in the vacuity of the writer's exchequer rather than in the fulness of his genius, they suggest by their feeble flavor the rinsings of a void brain after the more important concoctions of the expired year. Indeed, we should as little think of taking these compositions as examples of the merits of