The Christmas Kalends of Provence: And Some Other Provençal FestivalsJanvier, Thomas A. (Thomas Allibone)
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The Christmas Kalends of Provence: And Some Other Provençal Festivals
Janvier, Thomas A. (Thomas Allibone)
Christmas -- France -- Provence; Festivals -- France -- Provence; Provence (France) -- Social life and customs
It was five in the afternoon when we got away from Avignon. A
mistral--the north wind that is the winter bane and summer blessing of
Provence--was blowing briskly; the sun was shining; the crowded Cours de
la Republique was gay with flags and banners and streamers, and with
festoons of coloured lanterns which later would be festoons of coloured
fire. We passed between the towers of the gateway, left the ramparts
behind us, and went onward over the perfect road. Plane-trees arched
above us; on each side of the road were little villas deep-set in
gardens and bearing upon their stone gate-posts the names of saints. As
we increased our distance from the city we came to market-gardens, and
then to vineyards, olive-orchards, farms. Rows of bright-green poplars
and of dark-green cypress--set up as shields against the mistral--made
formal lines across the landscape from east to west. The hedges on the
lee-side of the road were white with dust--a lace-like effect, curious
and beautiful. Above them, and between the trees, we caught glimpses of
Mont Ventour--already beginning to glow like a great opal in the nearly
level sun-rays. Old women and children stood in the gateways staring
wonderingly at the long procession of vehicles, of which our carriage
was a part, all obviously filled with pleasure-seekers and all
inexplicable. Pretty girls, without stopping to wonder, accepted with
satisfaction so joyous an outburst of merrymaking and unhesitatingly
gave us their smiles.
We crossed the little river Ouveze, and as we mounted from it to the
northward the tower of the ruined Chateauneuf-du-Pape came into view. A
new key was struck in the landscape. The broad white road ran through a
brown solitude: a level upland broken into fields of sun-browned stubble
and of grey-brown olive-orchards; and then, farther on, through a high
desolate plain tufted with sage-brush, whence we had outlook to wide
horizons far away. Off to the eastward, cutting against the darkening
sky, was the curious row of sharp peaks called the Rat's Teeth. All the
range of the Alpilles was taking on a deeper grey. Purple undertones
were beginning to soften the opalescent fire of Mont Ventour.
Presently the road dipped over the edge of the plain and began a
descent, in a perfectly straight line but by a very easy grade, of more
than a mile. Here were rows of plane-trees again, which, being of no
great age and not meeting over the road, were most noticeable as
emphasizing the perspective. And from the crest of this acclivity--down
the long dip in the land, at the end of the loom of grey-white road
lying shadowy between the perspective lines of trees--we saw rising in
sombre mass against the purple haze of sunset, dominating the little
city nestled at its base and even dwarfing the mountain at its back, the
huge fabric of the theatre.
Public-domain text, read in full here on John Shaqi.
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