The buggy sped along the road, the rattle of its wheels, the clatter of
the mare’s hoofs and the shrill calls of the killdeer skimming over the
meadows, being the sole sounds to break the silence of the country.
A mile was gone over. Then the girl said falteringly, “Beel, a’n’t it
wrong?”
In response William gave his horse a vicious cut with the whip and
replied, “It don’t seem jest right to fool ’em, but you’ll fergit all
about it ’hen we git dancin’.”
There was silence between them--a silence broken only at rare intervals
when one or the other ventured some commonplace remark which would be
rewarded with a laconic “Yais” or “Ye don’t say.”
Up hill and down rattled the buggy, following the crooked road across
the valley, over three low wooded ridges, then up the broad meadows that
border the river, until at length the grove in which lies Blue Bottle
Spring was reached. The festivities had already begun. The outskirts
of the wood were filled with vehicles of every description--buggies,
buckboards, spring-wagons, omnibuses and ancient phaetons. The horses
had been unhitched and tied to trees and fences, and were munching at
their midday meal, gnawing the bark from the limbs, snatching at the
leaves or kicking at the flies while their masters gave themselves up
to the pursuit of pleasure. Having seen his mare comfortably settled at
a small chestnut, William Larker took his lunch basket on one arm and
his companion on the other and proceeded eagerly to the inner part of
the grove, whence came the sounds of the fiddle and cornet. They passed
through the outer circle of elderly women, who were unpacking baskets
and tastefully arranging their contents on table-cloths spread on the
ground--jars of pickles, cans of fruit, bags of sandwiches, bottles of
cold tea, layer cakes of wondrous size and construction, and the scores
of other dainties necessary to pass a pleasant day with nature. They went
through a second circle of venders of peanuts, lemonade and ice-cream,
about whose stands were gathered many elderly men discussing the topics
of the day and exchanging greetings.
The young Dunkards had now arrived at the center of interest, the
platform, and joined the crowd that was eagerly watching the course of
the dance. An orchestra of three pieces, a bass-viol, a violin and a
cornet, operated by three men in shirt sleeves, sent forth wheezy strains
to the time of which men and women, young and old, gaily swung corners
and partners, galloped forward and back, made ladies’ chains, winding in
and out, then back and bowing, until William Larker and his companion
fairly grew dizzy.
Public-domain text, read in full here on John Shaqi.
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