The Chronicles of Aunt Minervy AnnHarris, Joel Chandler
General
The Chronicles of Aunt Minervy Ann
Harris, Joel Chandler
Georgia -- Social life and customs -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
When next I had an opportunity to talk with Aunt Minervy Ann, she
indulged in a hearty laugh before saying a word, and it was some time
before she found her voice.
“What is so funny to-day?” I inquired.
“Me, suh—nothin’ tall ’bout me, an’ ’tain’t only ter-day, nudder. Hit’s
eve’y day sence I been big ’nuff fer to see myse’f in de spring branch. I
laughed den, an’ I laugh now eve’y time I see myse’f in my min’—ef I’ got
any min’. I wuz talkin’ ter Hamp las’ night an’ tellin’ ’im how I start
in ter tell you sump’n ’bout Marse Paul Conant’ shoulder, an’ den eend up
by tellin’ you eve’ything else I know but dat.
“Hamp ’low, he did, ‘Dat ain’t nothin’, bekaze when I ax you ter marry
me, you start in an’ tell me ’bout a nigger gal’ cross dar in Jasper
County, which she make promise fer ter marry a man an’ she crossed her
heart; an’ den when de time come she stood up an’ marry ’im an’ fin’ out
’tain’t de same man, but somebody what she ain’t never see’ befo’.’
“I ’speck dat’s so, suh, bekaze dey wuz sump’n like dat happen in Jasper
County. You know de Waters fambly—dey kep’ race-hosses. Well, suh, ’twuz
right on der plantation. Warren Waters tol’ me ’bout dat hisse’f. He wuz
de hoss-trainer, an’ he ’uz right dar on de groun’. When de gal done
married, she look up an’ holler, ‘You ain’t my husban’, bekaze I ain’t
make no promise fer ter marry you.’ De man he laugh, an’ say, ‘Don’t need
no promise atter you done married.’
“Well, suh, dey say dat gal wuz skeer’d—skeer’d fer true. She sot an’
look in de fire. De man sot an’ look at ’er. She try ter slip out de do’,
an’ he slipped wid ’er. She walked to’rds de big house, an’ he walkt wid
’er. She come back, an’ he come wid ’er. She run an’ he run wid ’er. She
cry an’ he laugh at ’er. She dunner what to do. Bimeby she tuck a notion
dat de man mought be de Ol’ Boy hisse’f, an’ she drapped down on her
knees an’ ’gun ter pray. Dis make de man restless; look like he frettin’.
Den he ’gun ter shake like he havin’ chill. Den he slip down out’n de
cheer. Den he got on his all-fours. Den his cloze drapped off, an’ bless
gracious! dar he wuz, a great big black shaggy dog wid a short chain
roun’ his neck. Some un um flung a chunk of fire at ’im, an’ he run out
howlin’.
“Dat wuz de last dey seed un ’im, suh. Dey flung his cloze in de fire,
an’ dey make a blaze dat come plum out’n de top er de chimbley stack. Dat
what make me tell Hamp ’bout it, suh. He ax me fer ter marry ’im, an’ I
wan’t so mighty sho’ dat he wan’t de Ol’ Boy.”
“Well, that is queer, if true,” said I, “but how about Mr. Conant’s
crippled shoulder?”
“Oh, it’s de trufe, suh. Warren Waters tol’ me dat out’n his own mouf,
an’ he wuz right dar. I dunno but what de gal wuz some er his kinnery. I
don’t min’ tellin’ you dat ’bout Marse Paul, suh, but you mustn’t let on
’bout it, bekaze Marse Tumlin an’ Miss Vallie des’ ez tetchous ’bout dat
ez dey kin be. I’d never git der fergivunce ef dey know’d I was settin’
down here tellin’ ’bout dat.
Public-domain text, read in full here on John Shaqi.
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