The Chronicles of Aunt Minervy AnnHarris, Joel Chandler
General
The Chronicles of Aunt Minervy Ann
Harris, Joel Chandler
Georgia -- Social life and customs -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
“I see now,” said the colonel,“why it is I can never catch you in your
office in town; you do your work at home. Well, that’s lots better than
workin’ where any and everybody can come in on you. I thought I’d find
you out here enjoying your _otium cum digitalis_, as old Tuck Bonner used
to say; but instead of that you’re waist-deep in newspapers.”
I assured the colonel that there were some people in the world whom I
would be glad to see, no matter how busy I might be.
“I know the feeling,” replied Colonel Blasengame; “but you’ll be cussing
me as sure as the world, for I haven’t a grain of business to see you
about. But I hear Tumlin and old Aunt Minervy Ann talking about you so
constantly that I thought I’d come out and say howdye, if no more.”
“Well, you’ll have to say more than that this time,” I remarked; “I was
just thinking, when you rang the door-bell, that I would give something
pretty to see you.”
“Now, is that reely so?” cried the colonel. “Then I’m twice glad—once
because I took a notion to come, and once again because you’re glad. You
used to fight so shy of me when you lived among us that I was afraid I
wouldn’t get on wi’ you; but I’m sorter offish myself.”
“Colonel,” said I, “did you ever know Mary Ellen Tatum?”
He rubbed his face and forehead with his hand, and regarded me with a
slight frown, and a smile that seemed to mean anything except pleasure.
“Will you allow me to ask you why you put such a question to me?”
“Why, certainly, Colonel; read that.” I placed the clipping from the
_Transcript_ in his hand. He held it off at arm’s length and tried to
decipher it, but the print was too fine. Placing it on his knee, he
searched in his pockets until he found his spectacles, and then he read
the article through carefully—not once, but twice.
Then smoothing the clipping out on his knee, he looked at me inquiringly.
“Do you know Mary Ellen?” he asked. I did not, and said so. “Did you ever
hear of her before?”
“Why, yes,” I replied. “Aunt Minervy Ann told me some very interesting
things about her, and I wanted to ask you if they were true.”
The colonel jumped to his feet with a laugh. “Plague on old Minervy
Ann!” he exclaimed. “Why, I came out here purposely to tell you about
Mary Ellen. This thing,” indicating the clipping, “is away behind the
time with its news. The picture it tells about is at my house this very
minute, and another one in the bargain. The first chance you get, come
down home and look at ’em. If you don’t open your eyes I’ll never sign
my name S. B. Blasengame again.” He walked up and down the room in a
restless way. “What do you reckon that gyurl did?” he asked, stopping
before me and stretching out his right arm. “Why, she sent a man with
the pictures—a right nice fellow he was, too. He said it cost a pile of
money to git ’em through the custom-house at New York; he had to hang
around there a week. When I asked him for his bill he raised his hands
and laughed. Everything was paid.”
Public-domain text, read in full here on John Shaqi.
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