"'Oh, I shall get it all back,' she said optimistically; 'but not here.
These silly little horses are no good. I shall go somewhere where one
can play comfortably at roulette. You needn't look so shocked. I've
always felt that, given the opportunity, I should be an inveterate
gambler, and now you darlings have put the opportunity in my way. I
must drink your very good healths. Waiter, a bottle of PONTET CANET.
Ah, it's number seven on the wine list; I shall plunge on number seven
to-night. It won four times running this afternoon when I was backing
that silly number five.'
"Number seven was not in a winning mood that evening. The Brimley
Bomefields, tired of watching disaster from a distance, drew near to
the table where their aunt was now an honoured habituee, and gazed
mournfully at the successive victories of one and five and eight and
four, which swept 'good money' out of the purse of seven's obstinate
backer. The day's losses totalled something very near two thousand
francs.
"'You incorrigible gamblers,' said Roger chaffingly to them, when he
found them at the tables.
"'We are not gambling,' said Christine freezingly; 'we are looking on.'
"'I DON'T think,' said Roger knowingly; 'of course you're a syndicate
and aunt is putting the stakes on for all of you. Anyone can tell by
your looks when the wrong horse wins that you've got a stake on.'
"Aunt and nephew had supper alone that night, or at least they would
have if Bertie hadn't joined them; all the Brimley Bomefields had
headaches.
"The aunt carried them all off to Dieppe the next day and set cheerily
about the task of winning back some of her losses. Her luck was
variable; in fact, she had some fair streaks of good fortune, just
enough to keep her thoroughly amused with her new distraction; but on
the whole she was a loser. The Brimley Bomefields had a collective
attack of nervous prostration on the day when she sold out a quantity
of shares in Argentine rails. 'Nothing will ever bring that money
back,' they remarked lugubriously to one another.
Public-domain text, read in full here on John Shaqi.
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