bodies, drew themselves up with tense outstretched necks, and sidled
away from the scene of danger, quacking a deep note of disquietude as
they went. At the same moment Crefton became aware that he was not the
only human witness of the scene; a bent and withered old woman, whom he
recognized at once as Martha Pillamon, of sinister reputation, had
limped down the cottage path to the water's edge, and was gazing
fixedly at the gruesome whirligig of dying birds that went in horrible
procession round the pool. Presently her voice rang out in a shrill
note of quavering rage:
"'Tis Betsy Croot adone it, the old rat. I'll put a spell on her, see
if I don't."
Crefton slipped quietly away, uncertain whether or no the old woman had
noticed his presence. Even before she had proclaimed the guiltiness of
Betsy Croot, the latter's muttered incantation "Let un sink as swims"
had flashed uncomfortably across his mind. But it was the final threat
of a retaliatory spell which crowded his mind with misgiving to the
exclusion of all other thoughts or fancies. His reasoning powers could
no longer afford to dismiss these old-wives' threats as empty
bickerings. The household at Mowsle Barton lay under the displeasure
of a vindictive old woman who seemed able to materialize her personal
spites in a very practical fashion, and there was no saying what form
her revenge for three drowned ducks might not take. As a member of the
household Crefton might find himself involved in some general and
highly disagreeable visitation of Martha Pillamon's wrath. Of course
he knew that he was giving way to absurd fancies, but the behaviour of
the spirit-lamp kettle and the subsequent scene at the pond had
considerably unnerved him. And the vagueness of his alarm added to its
terrors; when once you have taken the Impossible into your calculations
its possibilities become practically limitless.
Crefton rose at his usual early hour the next morning, after one of the
least restful nights he had spent at the farm. His sharpened senses
quickly detected that subtle atmosphere of
things-being-not-altogether-well that hangs over a stricken household.
The cows had been milked, but they stood huddled about in the yard,
waiting impatiently to be driven out afield, and the poultry kept up an
importunate querulous reminder of deferred feeding-time; the yard pump,
which usually made discordant music at frequent intervals during the
early morning, was to-day ominously silent. In the house itself there
was a coming and going of scuttering footsteps, a rushing and dying
away of hurried voices, and long, uneasy stillnesses. Crefton finished
his dressing and made his way to the head of a narrow staircase. He
could hear a dull, complaining voice, a voice into which an awed hush
had crept, and recognized the speaker as Mrs. Spurfield.
"He'll go away, for sure," the voice was saying; "there are those as
runs away from one as soon as real misfortune shows itself."
Public-domain text, read in full here on John Shaqi.
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