The Chronicles of Newgate, vol. 1/2Griffiths, Arthur
History
The Chronicles of Newgate, vol. 1/2
Griffiths, Arthur
Criminals -- Great Britain; Newgate (Prison : London, England); Prisons -- England; Punishment -- Great Britain
Before sentence the court passed on to the consideration of a second
libel, published by Lord George Gordon in the ‘Public Advertizer.’ This
was an account of his visit to the French embassy accompanied by the
notorious Count Cagliostro, whose cause, like that of the Newgate
prisoners, Lord George had warmly espoused. The article enlarged upon
the merits and sufferings of the count, and reflected severely upon
Marie Antoinette, at that time Queen of France, the French ambassador,
and the secretary of the embassy. The defence of the diplomatic body, no
less than of that of a royal personage, was undertaken by the
Government. Lord George attempted to justify all that he had written.
Count Cagliostro, he averred, had been persecuted by a faction in Paris,
of which the queen was the head; and although acquitted by the
Parliament of Paris, Count d’Adhemar, the French ambassador, had
continued to vilify him by inserting infamous paragraphs about him in
the ‘Courrier de l’Europe,’ a French paper published in London. “Count
d’Adhemar,” said Lord George, “was a low man of no family; but being
plausible and clever, had pushed himself forward to the notice of men in
authority; in short, what Jenkinson was in Britain, d’Adhemar was in
France.” This allusion to Lord Hawkesbury[199] caused a great laugh in
the court. Lord George went on to indulge in very scurrilous abuse of
Marie Antoinette. He said he was charged with libelling the Queen of
France, whereas that was impossible, as her character was well known in
every street in Paris. He could only compare her to Catherine of Russia.
“He was proceeding in this strain,” says the report of the trial, “when
the court was compelled to interfere, and the Attorney-General told him
he was a disgrace to the name of Briton.”
Public-domain text, read in full here on John Shaqi.
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