The Church of Sancta Sophia, Constantinople: A Study of Byzantine BuildingLethaby, W. R. (William Richard)
Religion
The Church of Sancta Sophia, Constantinople: A Study of Byzantine Building
Lethaby, W. R. (William Richard)
Ayasofya Müzesi
The marble is fixed to the wall with a dark brown resin. In the
opus sectile, pieces of coloured marble about a quarter of an inch
thick were cut to the forms of the design, and then laid with their
polished faces downward at the bottom of a mould; on this was poured a
three-quarter inch backing of resin mixed with bits of stone and brick.
When set, the slabs so formed were attached to the wall with cement.
The large marble slabs are one to two inches thick, and, besides the
cement, are fastened to the walls by iron [? bronze] clamps. The
pavements of ground floor and gynaeceum are of white marble with dark
gray stripes. [Proconnesian.] In the south-east angle of the square
area under the dome is a square of marble mosaic, of which details
are given in Salzenberg’s Plate xxii., Figs. 9-15. It is formed of a
circular centrepiece of a gray brown granite, ten feet two inches in
diameter, round which are arranged coloured marble discs of various
sizes, set in a mosaic of marbles, with a little glass mosaic in the
angles.
In the centre of the west end of the gynaeceum is a square [of about
twenty-four feet] in the pavement laid with slabs of “gray cipollino”
[Proconnesian], having a border of verde antique, with a patterned
edging[282] of giallo and rosso on one side, and giallo and serpentine
on the other. [Between this and the parapet is a circular slab of verde
antique four feet seven inches in diameter.]
CHAPTER IX
THE ANCIENT PRECINCTS AND EXTERNAL PARTS OF THE CHURCH
_Palace._--Before entering on particulars of the exterior of the
church, it will be well to have a clearer view of the edifices in its
immediate neighbourhood as they appeared in the time of Justinian.
The group of buildings of which the Augusteum was the centre was
profoundly modified by the fire of the Nika Sedition, and by the
building energy of the emperor. The researches of Labarte and Paspates
have been almost entirely confined to the elucidation of the palace as
it existed in the tenth century.
A restoration of the relative position of the several parts of the
palace, unless by the discovery of remains positive evidence is
obtained, is certainly impossible; the attempt of Labarte was worth
making, but Paspates, in bringing forward another scheme, seems only to
have succeeded in showing how conjectural the whole matter is, although
he speaks of certain scraps of walls as belonging to this or that part
of the palace with as much confidence as if he had found them labelled.
His work carries internal evidence of the greatest inexactness and
confusion, and has proved most misleading, although his citations are
valuable.
Public-domain text, read in full here on John Shaqi.
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