The Church of Sancta Sophia, Constantinople: A Study of Byzantine BuildingLethaby, W. R. (William Richard)
Religion
The Church of Sancta Sophia, Constantinople: A Study of Byzantine Building
Lethaby, W. R. (William Richard)
Ayasofya Müzesi
The mosaics on the soffite of the eastern arch were covered before
drawings were made. At the crown is a medallion with a white ground.
In this is a low throne of gold, with two green cushions upon it; over
them is thrown a blue cloth with a white hem, and upon that is placed
a golden book. Above is also a gold cross with three arms; the middle
one is the longest, and at its intersection with the upright member
is a circle. On the south face of this eastern arch is the figure of
John the Baptist, with long hair, and a brown shaggy garment; his right
hand blesses, and his left holds a cross with three arms. Opposite, on
the north side is the Virgin, with uplifted hands in the attitude of
prayer. She has a white undergarment, bound with a golden girdle, a red
upper garment, and a veil of a green-blue, with a gold hem. Under her
is John Palaeologus, who restored this part, and to whose time these
figures and designs certainly belong. The emperor wears a crown, with
strings of pearls on either side. He has a closely fitting undergarment
of gold, decorated with pearls and embroidery. A magnificent cloak
hangs down from the left shoulder, and round the neck and breast is
a kind of broad gorget richly embroidered. In his right hand is a
sceptre, and in his left a roll.
The archangel on the south side of the bema vault[390] has a globe in
the left hand, and a staff in the right. He is clad in white, with
imperial red shoes. The arch of the apse bears an inscription, which
ends with the letters ϹΕΙΕ ΠΑΛΙΝ.
On the conch of the apse is the Mother of God upon a throne, holding
the Child between her knees; her upper garment, which is blue, conceals
the whole figure, except that at the breast, under the arm, and above
the feet, the white and gold garment beneath is visible. The Child
has his right hand uplifted and his left against his breast. He wears
a white garment, with a gold girdle. His hair falls down freely, and
the nimbus has three streams of light. The throne is gold with red
ornaments, but is without a back, and the footstool is of green silk.
In the dome pendentives are Cherubim with six wings. Each head is four
feet two inches high. The upper feathers of the wings are a light
green, and the under feathers brown.[391] The great centre-piece of the
dome, which, according to Du Cange, represented Christ as Judge of the
World seated upon a rainbow, no longer exists.
Only one of the domes of the gynaeceum preserves its mosaic ornament
of figures. This[392] represents the descent of the Holy Spirit. Only
a part remains of the throne in the centre; on it is a green cushion,
and a blue cloth with gold patterns. Groups of spectators fill the
pendentives of the vault.
Above the doorway which leads from the western gynaeceum to the
chambers over the south porch, are remains of figures, which can no
longer be identified.[393] In the ceiling of the chamber over the
stairway is a design of green tendrils on a gold ground.[394]
Public-domain text, read in full here on John Shaqi.
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