Since the above has been in type we have found a pamphlet published by the brothers Fossati in 1890,[406] describing a collection of drawings of S. Sophia, shown by them at Milan. From this we gather the following additional particulars of the mosaic subjects.--Over the door of the south porch “was a remarkable mosaic representing the Virgin and Child, to whom Justinian presents the Church and Constantine the City.”--A representation of Christ, the Virgin, and S. John, forming the Trimorphion (Pantocrator, Pantochrante, Pantepopte.)--Two groups of the Fathers of the Church, thirteen altogether: Ignatius Oneos, Methodius, Ignatius Theophorus, Gregory Thaumaturgus, John Chrysostom, Cyril, and Athanasius. [These must occupy the seven recesses on the north window-wall, as the six others agree with those given by Salzenberg on the south side].--The Pantocrator on a throne [? supposed centre of Pentecost dome].--John Palaeologus [? with the Virgin on north side of great east arch, p. 278].--John Comnenus and Irene with the Virgin between them.--Constantine XI. and Zoe with Christ between them.--Alexius Comnenus X. or XI.--Alexander, the brother of Leo [some of these also were doubtless on the great east and west arches].--Three Virgins.--S. John with six apostles surrounded by cherubim [? in higher part of one of the window-walls, p. 277].--Prophets [? of window-wall, p. 276].--A circle with colossal Pantocrator [? the destroyed centre of the great dome].--Different emblems with Greek and Latin descriptions. Besides these, a drawing of Cherubim “saved from the Atrium Portico” is mentioned; and the inscription on the arch in front of the apse is given as follows, and may be compared with Salzenberg’s Plate x.:-- ΗΙΑΝΙΡϹΕΙΑΡ ΗΡΑΝΘΕΟΗΑΡΙΗΑΡ ΘΕϹΙϹΗΝΑΝΕΑΙϹΕΙΕ ΠΑΡΙΝ.