The Churches and Modern Thought: An inquiry into the grounds of unbelief and an appeal for candourPhelips, Vivian
Religion
The Churches and Modern Thought: An inquiry into the grounds of unbelief and an appeal for candour
Phelips, Vivian
Rationalism
Very similar ceremonies are to be found among the heathen to-day. For
instance, something very like our Eucharistical rite is performed in
modern Japan. Looking on at a service in a Shinto temple, I was much
struck by the extraordinary similarity of the whole ceremony. It was
a sort of High Mass with Gregorian music. The blessed wafers are not
eaten on the premises, but are taken away by the worshippers to be
used in time of sickness. The worshippers, I may mention, were all
of the poorer and more ignorant classes.
P. 150, line 10.--Their blood was drunk in the form of wine.
Regarding this, Mr. Grant Allen remarks: When Dionysus became the
annual or biennial vine-god victim, "it was inevitable that his
worshippers should have seen his resurrection and embodiment in the
vine, and should have regarded the wine it yielded as the blood of
the god."
P. 156, lines 19-20.--Adopting their dates for the birth and death
[and resurrection] of their Saviours.
At the winter solstice the sun seemed to the ancients to be commencing
its annual journey round the heavens. Accordingly, December 25th was
considered to be the sun's birthday, which was annually celebrated
by a great festival in many parts of the heathen world--in China,
India, Persia, Egypt, and also in ancient Greece, Rome, Germany,
Scandinavia, Great Britain, Ireland, and America. Similarly, at the
vernal equinox, the sun, which has been below the equator, suddenly
appears to rise above it, and so, usually upon a date calculated
by the pagan astronomers (and corresponding roughly to our Easter),
we find that throughout a considerable portion of the ancient world,
after mourning the sun's death (sometimes for a period of three days),
the Resurrection was celebrated with great rejoicings. Primitive man
regarded all sensible objects as instinct with a conscious life. He
noted the changes of days and years, and the objects which so changed
were to him as living things. The rising and setting sun, the return
of summer and winter, became a drama in which the actors were his
friends or enemies. It was no allegory, but, strange as it appears
to us now, all an absolute reality.
Public-domain text, read in full here on John Shaqi.
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