It is curious to see how these chapels have changed names, and the why and wherefore. For instance, the first one in the _chevet_ was consecrated in 1608 to the Three Kings, the original founder being Guillaume Morot, one of the king's councillors and _contrôleur des finances_. Then it passed into the hands of the Puysieux family. In 1780 it was called the chapel of S. John the Baptist, in memory of Jean-Baptiste Fleuriau, chevalier d'Armenonville, keeper of the seals, who died at Madrid, and was transported to S. Eustache for burial. Charles Fleuriau, count de Morville, a minister, was buried here in 1732. These d'Armenonvilles inhabited an hotel in the Rue Jean-Jacques Rousseau, which has been swallowed up by the post office. The hide merchants held the meetings of their guild in this chapel. In 1843 it was dedicated to the Sacred Heart, and is decorated by M. de Larivière to celebrate that article of faith, the four personages who accompany Our Lord being Pope Clement XIII., the zealous devotee of the _Sacré Cœur_; the blessed Marie-Marguerite Alacoque, of the order of the Visitation, and the discoverer of the miracle at Paray-le-Monial; the reverend father La Colombière, who defended the apparition against the unbelievers; and Monseigneur de Belzunce, bishop of Marseilles, who, in putting the city under the protection of the new dogma, saved it from the effects of a grievous pestilence, by causing the immediate retreat thereof to less favoured purlieus. In the next chapel we come upon more relics. The Rouillé family, and the Lecouteulx de Canteleu, founded it, and dedicated it to S. Margaret; but after the Revolution, S. Joseph was called in as patron, and as S. Agnes required a special altar, this was once more changed in name, and made over to her good protection in 1850. Or possibly the acquisition of her relics required a resting-place fitted specially for them. They consist of three fingers of the Saint from the abbey of S. Corentin, near Septeuil, and a pretty large portion of one of her ribs from the cemetery of S. Priscilla at Rome, given by Marie-Félix des Ursins, Duchesse de Montmorency, Supérieure de la Visitation de Moulins. The picture over the altar is attributed to Titian or Giordano; the modern frescoes are by M. Vauchelet: the _Martyrdom of S. Agnes_, in which one executioner is thrown down by the rush of flames, while the other, avenging himself upon the innocent victim, cleaves her head asunder with a sword. When Archbishop Sibour verified the relics of S. Anne, in 1853, a chapel was dedicated to her, displacing Notre-Dame de Pitié, S. Adrien, S. Hubert, and S. Jacques. One would imagine, that is, the blasphemer might imagine, that saints would not take it well when they are deposed and supplanted, but possibly, being in higher realms than ours, they see the insignificance of such proceedings. The frescoes are by Lazerges.