The Churches of Paris, from Clovis to Charles XBeale, Sophia
History
The Churches of Paris, from Clovis to Charles X
Beale, Sophia
Church buildings -- France -- Paris; Paris (France) -- Buildings, structures, etc.
La société révolutionnaire siégeait á Saint-Eustache; elle était
composée de femmes perdues, aventurières de leur sexe, recrutées
dans le vice, où dans les réduits de la misère, ou dans les
cabanons de la démence. Le scandale de leurs séances, le tumulte de
leurs motions, la bizarrerie de leur éloquence, l'audace de leurs
pétitions importuna le Comité de Salut Public, qui ferma le club.
On peut juger par là ce qu'il devait en être de la pauvre église.
Près de là siégeait aussi le fameux club de la rue Mauconseil.
Another club for women, founded by an actress named Lacombe, was
dissolved after a speech of Robespierre's, in which we find that "Cette
réunion de vraies sans-culottes ne saurait durer plus long-temps, parce
qu'elle prête au ridicule et aux propos malins."
In 1793 the Feast of Reason was celebrated with as much profanity and
indecency here as at Notre-Dame, as witness Mercier's account, told in
the forcible language of Carlyle:
The corresponding festival in the church of S. Eustache offered the
spectacle of a great tavern. The interior of the choir represented
a landscape decorated with cottages and boskets of trees. Round the
choir stood tables overloaded with bottles, with sausages,
pork-puddings, pasties, and other meats. The guests flowed in and
out through all doors; whosoever presented himself took part of the
good things; children of eight, girls as well as boys, put hand to
plate, in sign of Liberty; they drank also of the bottles, and
their prompt intoxication created laughter. Reason sat in azure
mantle aloft, in a serene manner; cannoneers, pipe in mouth,
serving her as acolytes. And out of doors (continues the
exaggerative man) were mad multitudes dancing round the bonfire of
chapel-balustrades, of priests' and canons' stalls; and the
dancers--I exaggerate nothing--the dancers nigh bare of breeches,
neck and breast naked, stockings down, went whirling and spinning,
like those Dust-vortexes, forerunners of Tempest and
Destruction.[73]
S. Eustache was re-opened for divine service sooner than many of the
other churches, M. Poupart coming out of his hiding in June, 1795; but
he had to share his church for some time with the philanthropists and
the municipal councillors, who held their meetings there upon certain
days. And the church was, moreover, but four walls and a roof; nearly
all the contents had vanished. The altars, the bronze statues, the
pulpit, the pictures, the tombs, the slabs and epitaphs, all but the
_banc-d'œuvre_, had gone to the museum of the Petits-Augustins;
happily, for otherwise they would have gone into the fire.
Public-domain text, read in full here on John Shaqi.
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