The Churches of Paris, from Clovis to Charles XBeale, Sophia
History
The Churches of Paris, from Clovis to Charles X
Beale, Sophia
Church buildings -- France -- Paris; Paris (France) -- Buildings, structures, etc.
If good materials and excellent workmanship can make a building
interesting, assuredly the Madeleine ought to be so. Commenced in 1764
as a church, its fate was somewhat similar to that of S. Geneviève, for,
in 1806, Napoleon, then busy in Posen, sent his orders that it should be
finished as a Temple of Glory. The pediment was to bear the following
inscription:--"L'empereur Napoléon aux soldats de la grande armée;" and
the 5th article of the decree was thus composed: "Tous les ans, aux
anniversaires des batailles d'Austerlitz et d'Iéna, le monument sera
illuminé, et il y sera donné un concert précédé d'un discours sur les
vertus necessaires au soldat, et d'un éloge de ceux qui périrent sur le
champ de bataille dans ces journées memorables.... Dans les discours et
odes, il est expressément défendu de faire mention de l'empereur."
Pierre Vignon carried on the work, and the building grew into a
magnificent temple, planned upon the Maison Carrée of Nismes. The
results of Waterloo turned it again church ways, but it was not finished
until 1842. The bronze doors are perhaps the best work of Baron de
Triqueti; and the group of the Magdalen over the altar may be no more
mundane and meretricious than is usual in Marochetti's performances. The
picture in the vault over the altar is a jumble by Ziegler of sacred and
secular personages, from the Magdalen and her Master down to Napoleon
the arrogant. It is supposed to be an allegory of the history of
Christianity, which Clovis introduced to France, and Napoleon patted on
the back by means of the Concordat. The most important position in the
picture is occupied by the last-named brigand--the poor Pope even being
in a secondary place, somewhat inferior to the imperial eagle. The group
in the baptistry is by Rude; the one opposite, in a chapel dedicated to
marriage, by Pradier. It was in the Madeleine that some of the
Communards were massacred in 1871. At the end of the struggle, about 300
of them were driven into the church; and there, before the altar where
their victim, the abbé Duguerry had officiated, they were mown down in
terrible retribution, with no more mercy shown them than they had
accorded to the hostages.
Public-domain text, read in full here on John Shaqi.
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