The present church was commenced in 1520 or a few years later, and finished in 1642; the architects adhering to the original plan, without any change of style, which is not often the case in churches that were so long in course of construction. The beautiful west front is a mass of rich ornamentation; its three portals, the pinnacles, corbels, niches, etc., being carved with various conceits--animals, human heads, flowers, vine-leaves, and so on, one little head having a cap such as is worn by the peasants of Auvergne. The statues, large and small, are modern, having been put in position in 1842, replacing those destroyed during the Revolution. Those round the _voussure_ are copied from one of the portals of Notre-Dame, and consequently are two centuries too early for the church. Another blunder of the modern architect is the placing of a demon in the centre at the point of the arch, where the Mediæval artists invariably put the figure of Christ or of Our Lady. The lower part of the tower is contemporary with the church, but the upper stories have been rebuilt in the 17th century, and consist of Renaissance arches and shafts. Upon the opposite side is a little turret of open woodwork, and from the roof some old gargoyles stretch themselves out. The church is cruciform; unfortunately it is partly hidden by the Presbytery and other buildings. Indeed, like many Continental churches, it is so built about by surrounding houses that one only gets a view of it here and there. It is extraordinary that in such a city as Paris this is tolerated. At S. Germain l'Auxerrois there is (or was, not long ago) an extraordinary little wooden hut (presumably the dwelling of the sacristan) built in between the buttresses of the east end, and completely filling up two windows of the apse. The whole erection being in wood, it could easily be taken down; for it is only supported on great wooden piles, and approached by a sort of ladder. Such a state of things only exists in Catholic countries, and the more Catholic--as, for example, Belgium--the more complete is this sort of desecration.