We now come to the building of the present church. Maurice de Sully, the seventy-second bishop (1160-96), had scarcely mounted his episcopal throne when he determined to rebuild his cathedral by joining the two existing churches, and upon his epitaph in the abbey church of S. Victor he was accredited as the builder of Notre-Dame. Bishop Maurice was the son of a poor woman named Humberge, who lived in a humble cottage on the banks of the Loire, under the shadow of the feudal castle of the Sullys; and, like many of the Churchmen of those times, he seems to have had only one parent; at all events his father was unknown, and consequently Maurice was obliged to go from _château_ to _château_, and from convent to convent, to beg for bread and alms, for himself and his mother. [Illustration: ONE OF THE MONSTERS OF THE TOWERS.] On April 21st, 1163, at the instance of Abbot Hugues de Moneçaux, Pope Alexander III. consecrated the recently-constructed apse of S. Germain des Prés; and it is also affirmed that he laid the first stone of the new cathedral in the same year. In 1182, the High Altar was consecrated by Henri, the pope's legate, and three years later, Heraclius, patriarch of Jerusalem, who had come to Paris to preach the third crusade, officiated in the choir. Geoffrey, son of Henry II. of England, and Count of Bretagne, who died in 1186, was buried before the altar of the new cathedral, and towards the end of the century the wife of Philippe-Auguste, Isabelle de Hainault, was laid near the same place. When Maurice de Sully died, the church could not have been completed, as he left 5,000 _livres_ towards the leaden roofing of the choir. Indeed, the western _façade_ was only commenced towards the end of the episcopate of Pierre de Nemours, 1208-19, although the work had been continued during the time of his predecessor, Eude de Sully, 1197-1208. According to l'abbé Lebeuf, the remains of the old church of S. Étienne were demolished towards the end of the year 1218 to make room for the southern part of the _façade_, and, amongst other finds, were some fragments of the Saint's tomb. It is probable that the West front, as high as the gallery which connects the two towers, was terminated about the time of the death of Philippe-Auguste, 1223; and that the rich appearance of this _façade_ decided the reconstruction of the portals of the transepts. An inscription at the base of the southern porch attests that on the second day of the Ides of February, 1257, Master Jean de Chelles commenced this work in honour of the mother of Christ, S. Louis being then king of France, and Renaud de Corbeil, bishop of Paris; and, in spite of certain documents amongst the archives, there is no doubt that the little _Porte Rouge_ and the first chapels on both sides of the choir belong to the same period and were the work of the same architect, for they are quite similar in style and are built of the same stone. [ILLUSTRATION: PÈRE LACORDAIRE]