The Churches of Paris, from Clovis to Charles XBeale, Sophia
History
The Churches of Paris, from Clovis to Charles X
Beale, Sophia
Church buildings -- France -- Paris; Paris (France) -- Buildings, structures, etc.
The beautiful ironwork of the doors of Notre-Dame are worthy their
reputed origin; they are said to have been finished in a single night by
his Satanic Majesty in consequence of the dilatoriness of Biscornette
the blacksmith. The legend has probably grown from the design of a part
of the ironwork, a little man with horns and the tail of a fish, who
sits upon the branch of a tree. It appears that Biscornette was charged
to forge the ironwork of the doors in a given time; but finding himself
behind-hand in his work, he determined to call in the aid of the Devil.
This personage arrived, put on the leathern apron, and set to work so
vigorously that by dawn it was finished. Biscornette thanked his
assistant, who politely, in recognition of the blacksmith's gratitude,
presented him with his horns. Popular opinion always held that
Biscornette could not forge the central door by which the Blessed
Sacrament passed; and that a curse rested upon that of S. Anne, as it
was never opened; but in these latter faithless days it has been found
to do so as easily as the others. The sculptures of the tympanum of the
Porte du Cloître represent the _Legend of S. Theophilus_, the deacon,
who lived in the 3rd century. This Saint was troubled in his mind, and
abjured Christianity through the instrumentality of a Jew; thereupon he
fell into the hands of the Father of Lies, and we see him on his knees
between the hoofs of the demon. But he was reinstated in the good books
of his bishop, in spite of the tempting whisperings of a little demon by
his side. Then the Virgin enters upon the scene, and tears up the
contract signed by S. Theophilus with his blood; and the demon enraged
has the impertinence to seize the raiment of the Virgin, in order to
profane her. But Theophilus is forgiven, and the bishop displays the
contract, which is now hallowed by the episcopal seal, and upon which is
written in Gothic letters: _Carta Theophili_.
At the foot of the Southern _façade_ is the inscription which gives the
name of the architect and the date of the church:
ANNO. DNI. M. CC. LVII. MENSE. FEBRVARIO. IDVS.
SECUNDO. HOC. FUIT INCEPTUM, CRISTI. GENITSIS, HONORE.
KALLENSI. LATHOMO. VIVENTE. JOHANNE. MAGISTRO:
John de Chelles was wise in his generation, for had he not thus taken
care of his own reputation, we should have known nothing about him,
there being no record of any other works by him. Chelles, the place of
his birth, was celebrated for the abbey founded by S. Bathilde; and like
Montereau, Bonneuil, and Lusarches, which gave birth to some of the most
famous architects of the 13th century, it was situated in the diocese of
Paris. The beautiful little Porte Rouge is of the end of the 13th
century. In the tympanum a king and queen are represented kneeling at
each side of our Lord and His Mother, very probably S. Louis, and his
wife, Marguerite de Provence.
Public-domain text, read in full here on John Shaqi.
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