The Lady chapel, or chapel of the Compassion, and the two on either side, are painted and gilded, a good deal of the old colouring having survived as a guide. There is some good carving, and in front of the tabernacle hang seven lamps of elegant design. These, added to the beauty of the old stained glass, make this end of the church by far the most beautiful part.[114] The chapel also contains an inscription, bearing the name of the founder, bishop Simon Matiffas de Bucy, who died in 1304. In the chapel of S. George is the fine marble statue of the martyred archbishop Darboy, shot in 1871 by the Communists. [Illustration: FOUNTAIN IN THE LITTLE CLOISTER.] [Illustration: TWO OF THE ALTO-RELIEVOS WHICH SURROUND THE CHOIR.] The alto-reliefs alluded to above, by Jean Ravy and Jean le Bouteiller, are supported upon an arcade of clustered columns and pointed arches fixed against the back of the stalls. Formerly they were continued across the _jubé_ and all around the choir; but unfortunately, when the sanctuary gates were constructed, these sculptures were sacrificed. The subjects are: 1, the Visitation; 2, the Appearance of the Star of Bethlehem to the Shepherds; 3, the Nativity; 4, the Adoration of the Magi; 5, the Massacre of the Innocents; 6, the Flight into Egypt; 7, the Presentation in the Temple; 8, Christ disputing with the Doctors; 9, the Baptism of Christ; 10, the Marriage in Cana; 11, the Entry into Jerusalem; 12, the Last Supper; 13, Christ washing S. Peter's Feet; 14, the Mount of Olives, The mysteries of the Passion and Resurrection were on the _jubé_, the destruction of which we owe to the Cardinal de Noailles. On the South side the subjects are of later date (14th century): 1, Christ appearing to the Magdalen; 2, to the Three Maries; 3, the Apostles running to the Sepulchre; 4, the Journey to Emmaüs; 5, Christ appearing to the Disciples; 6, to S. Thomas; 7, to S. Peter on the Sea of Tiberias; 8, another Appearance to the Disciples; 9, the Charge to preach the Gospel in all Lands. Jean Ravy was represented kneeling with joined hands in the last of these alto-reliefs. The whole was finished by Jean le Bouteiller in 1351; and it is recorded that a part was a votive offering in honour of God, of the Virgin Mary, and of Monseigneur S. Étienne, given by Guillaume de Melun, Archbishop of Sens--one of two bishops of the name who occupied the see in 1317-29 and 1344-96 respectively. The sculptures are all coloured and gilt, and a very good cast of them may be seen at the Crystal Palace.